A Quote by Andrea Suarez Paz

To see an older woman play a little boy on stage completely blasted open my perception to what it meant to act. That was it for me. — © Andrea Suarez Paz
To see an older woman play a little boy on stage completely blasted open my perception to what it meant to act. That was it for me.
I was a welfare worker for the Indian Council for Child Welfare. I'll tell you a story. Rajiv was only four years old at that time, and was going to kindergarten. One day the mother of one of his little friends came to see us and said in a sugary voice, 'Oh, it must be so sad for you to have no time to spend with your little boy!' Rajiv roared like a lion: 'My mother spends more time with me than you spend with your little boy, see! Your little boy says you always leave him alone so you can play bridge!' I detest women who do nothing and they play bridge.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
I've got people who like Tommy Boy, but they're getting older and there's a whole new wave of college kids who see that and Joe Dirt, and Just Shoot Me is a little older, so I wanted stuff for everybody.
Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.
For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
It is rare that one can see in a little boy the promise of a man, but one can almost always see in a little girl the threat of a woman.
Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
I love the freedom of voice-over and the ability to play multiple characters I could never play in real life: a hot young woman, a little boy.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
That was really cool. I got to kiss a little boy. I was 7 and he was 10, and his name is Thomas Curtis. He was the first boy I've ever kissed in my entire life and he was three years older than me.
Oh boy, when you're with me. Oh boy, I want the world to see that you were meant for me.
For me, the moment the mic is on and it's rolling, it's impossible to vocally relax for some reason. But one day, I'm going to be able to sing the way I sang when I was a little kid, completely open and free. That's, I think, the one thing that's changed: Growing older, I'm not ashamed to hear my voice.
Hey sexy boy, set me free, don't be so shy, play with me My dirty boy, can't you see, you are the one for meeeee.
And then as I got older, see, I think a lot of times with comics, your life kind of permeates your act. Whatever is happening in your life is what's going on on stage. So if you're angry in your life, then that's going to be on stage. If you're looking for the guy that's just going to make you laugh for an hour and forget about, that's me.
Is this the real life? Is this just fantasy? Caught in a landslide, No escape from reality. Open your eyes, Look up to the skies and see, I'm just a poor boy, I need no sympathy, Because I'm easy come, easy go, Little high, little low, Any way the wind blows doesn't really matter to me, to me.
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