A Quote by Andrei Tarkovsky

Relating a person to the whole world: that is the meaning of cinema. — © Andrei Tarkovsky
Relating a person to the whole world: that is the meaning of cinema.
Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.
Whatever Party of Men obtain the Reins of Management, and have power to name the Person who shall License the Press, that Party of Men have the whole power of keeping the World in Ignorance, in all matters relating to Religion or Policy, since the Writers of that Party shall have full liberty to impose their Notions upon the World.
I think, for an actor, the whole world is a place of work because if you focus on characters and on stories, they are everywhere, so yeah, I feel very privileged to have had this great opportunities in the international cinema and especially in the American cinema.
The whole theme of Interview with the Vampire was Louis's quest for meaning in a godless world. He searched to find the oldest existing immortal simply to ask, What is the meaning of what we are?
Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.
I felt like, you know, my presence in the world of cinema had a different meaning than Meryl Streep... There was an impact that was made, but it wasn't the usual.
I feel that, particularly because of language, we are handicapped in getting a large world audience. But Hindi cinema has the same ingredients that appeal to the whole world.
I think it's a great pity in the Anglophone world that we conflate cinema verite and Direct Cinema; they're, in fact, ontological opposites. In Direct Cinema, we create a fictional reality with characters and pretend we're not that.
That's the way life is: meaning is always there, but there is no clearly given way of decoding it. Conventional cinema obscures this with an easy reduction of meaning to plot and schematic characters.
What do I know about God and the purpose of life? I know that this world exists. That I am placed in it like my eye in its visual field. That something about it is problematic, which we call its meaning. This meaning does not lie in it but outside of it. That life is the world. That my will penetrates the world. That my will is good or evil. Therefore that good and evil are somehow connected with the meaning of the world.The meaning of life, i.e. the meaning of the world, we can call God. And connect with this the comparison of God to a father.
There are Marxists and there are people that are socialists. But the label of Marxist takes on a whole new meaning. Even socialist for a while took on a whole new meaning.
There are those who think that Zeffirelli's Hamlet is the way to treat Shakespeare. I think that cinema can handle much more. We somehow expect cinema to provide us with meaning, to console us. But that's not the purpose of art.
I believe that the Bible is to be understood and received in the plain and obvious meaning of its passages; for I cannot persuade myself that a book intended for the instruction and conversion of the whole world should cover its true meaning in any such mystery and doubt that none but critics and philosophers can discover it.
Love is not primarily a relationship to a specific person; it is an attitude, an ordination of character which determines the relatedness of the person to the whole world as a whole, not toward one object of love
Every human being is inherently a unique and individual form of life. He or she is made like that. But there is something which a person can do over and above the given material of her nature, and that is she can become conscious of what makes her the person she is, and he can work consciously toward relating what is himself to the world around him.
I am the last person who has any judgement about any kind of cinema, least of all commercial cinema because I am a product of commercial cinema.
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