A Quote by Andrei Tarkovsky
Objectivity can only be the author's and therefore subjective, even if he is editing a newsreel.
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It's an academic book, and it's discussed under academic criteria. German historians cultivate so-called objectivity. They persuade themselves that they can switch off the subjective and therefore the unsettling.
Complete objectivity is not an option. We are all subjective about the way we respond to 'what is,' whether it's the people we encounter, the circumstances in our lives, or ourselves. What we can do is reduce our subjectivity - what I call 'I see, therefore it is.'
All the worth which the human being possesses all spiritual reality, he possesses only through the State... For Truth is the Unity of the universal and subjective Will; and the Universal is to be found in the State, in its laws, its universal and rational arrangements. The State is the Divine Idea as it exists on Earth. We have in it, therefore, the object of History in a more definite shape than before; that in which Freedom obtains objectivity...
As a trial lawyer in front of a jury and an author of true-crime books, credibility has always meant everything to me. My only master and my only mistress are the facts and objectivity. I have no others.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
It should be totally fine to question the objectivity of scientists and the power structures in scientific institutions. The physical laws of the universe are objective, but human beings in any context are not. That includes with regard to science. To some extent, the supposed objectivity of science has given a lot of extra cover to very subjective and eccentric approaches to exploring aspects of ourselves and the universe around us.
One of the biggest differences between you and a traditionally published author is that a self-pubbed author is responsible for everything. Not just writing the book - but cover design, editing, producing, distribution, and publicity as well.
It is only by being exchanged that the products of labor acquire a socially uniform objectivity as values, which is distinct from their sensuously varied objectivity as articles of utility.
I think in fact that unless there is an organic link between the subjective impressions of the author and his objective representation of reality, he will not achieve even superficial credibility, let alone authenticity and inner truth.
Young adult author Richelle Mead holds the distinction to perhaps be the only author ever to have a book banned... before it was even written.
If you're deeply engaged in an event, you're part of it. But if you're outside of it, disinterested, you are the regard that registers history. And that disinterestedness is different from objectivity. The objective view sees only the event, while the disinterested one participates as well as views by creating that link to history. It's a type of viewing that's both inside and out of the event, that brings to the viewing the capacity for human emotion, for compassion, but holds it openly. And objectivity excludes the human element, and is therefore not a point of view open to humans.
There is a scene in one comic from the '60s-'70s where Batman finds a film, a newsreel film, of his father. This newsreel film is from the '50s, and his father has come to this costume ball in a Zorro costume, which strangely enough looks a lot like a Batman suit in the footage.
There comes a point, in literary objectivity, when the author's self- effacement is hard to distinguish from moral cowardice.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I can assure the conspiracy theorists who have very effectively savaged [Gerald] Posner in their books that they're going to have a much, much more difficult time with me. As a trial lawyer in front of a jury and an author of true-crime books, credibility has always meant everything to me. My only master and my only mistress are the facts and objectivity. I have no others.
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