A Quote by Andrew Breitbart
There's certainly enough writers and directors and actors who secretly aspire to make movies and films that agree with the center-right perspective, and I would argue the majority perspective in America.
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Directly after Rock Hudson's death came the fears that gay writers and actors and directors would be denied jobs; who knew if they would live long enough to finish a feature film or television series? And would the unions force directors to give blood tests and ban actors who tested positive?
I've been living this extraordinary life with a new enlightened perspective, to see things from a higher perspective. I feel like I'm able to see things from that higher perspective at Impact Wrestling right now where there are unlimited opportunities and room for growth and to make some work I can really be proud of.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
My dad is an engineer by trade but worked a lot with the people in the Indian film industry when I was growing up. He started out distributing films from India here in the '70s because there was no place to go for people to watch movies from the homeland. So he developed a network of actors, writers, directors, and musicians that became his friends and that he would tour around the country with, doing stage shows of the musical numbers from their films.
I like any and all of my associations with music: writing, playing, and listening. We write and play from our perspective, and the audience listens from its perspective. If and when we agree, I am lucky.
When directors like Joe Russo, who understand story from a very global perspective, start working more and more with Chinese filmmakers, you'll start seeing Chinese films that connect with audiences all over Asia, Europe, and South America - maybe even North America.
I think the perspective that small-town directors bring to films is very different.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
Why would you create a movie for black people if you don't understand the history and perspective of the people you are doing it for? You need historical perspective to make sound decisions.
Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way.
Nietzsche seems sometimes to replace the "transcendence" which stands at the center of traditional accounts the existence of a transcendent God, or, failing that, a transcendental viewpoint with that of a continually transcending activity. ... There is no single, final perspective, but given any one perspective, we can always go beyond it.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
I think my perspective is unique, and I want to make sure that perspective is memorialized and preserved.
Just cause you don't agree with a man, 'cause you're black, don't mean you gotta fight, argue. You just have a different perspective.
Of course, at their best, movies are anti-literature and, as a medium, belong not to writers, not to actors, but to directors.
When people look at one thing from one perspective, they certainly fail to get the whole picture, and that is the main reason for the majority of misunderstandings that sometimes lead to bloody confrontations.
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