A Quote by Andrew Dominik
I imagine that in a closed, hermetic society like the mob, where everybody knows each other, it must be really, really unpleasant to have to kill people. It's the sort of thing you really want to avoid.
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I think America is a really interesting place. In New Zealand, we don't sue each other really commonly. There's a really specific reason, like someone's arguing over a fence that's been put up that's too high. Sort of practical things. And journalists are rarely sued for things. Whereas in America, you have a culture where that's the first thing you do. There's an ongoing pattern here where if you've got money, you can bully other people into doing what you want them to do. You don't need to be in it to win, you just need to be in it to be a pest.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
No one really knows what I'm really like, and you won't unless you spend a day with me, or if you're my friend. No one ever knows what anyone is really like. Read all the interviews you want on them, it's just the media talking and you can't really get to know someone that way, obviously.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth.
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
I'd like everybody to be secular. I suppose I have to say politically I would like religion to become gentler and nicer and to stop interfering with other people's lives, stop repressing women, stop indoctrinating children, all that sort of thing. But I really, really would like to see religion go away altogether.
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don't mind other people doing it. I say that, but really I don't want to watch other people doing it. I get embarrassed.
I felt like if any two people had any kind of sexual affinity for each other they had to sleep with each other immediately, otherwise it was a terrible betrayal and waste...Fortunately, I'm relieved of those obsessions now. It's really wonderful. It's really wonderful not feeling you have to sleep with everybody.
I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?
We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
When I met Elvis, we didn't really have a conversation. I was introduced by my uncle, and he sort of grunted my way. What stays with me is the whole scene. I had never seen a real mob scene before. I was really young and impressionable. Elvis really did look - he looked sort of not real, as if he were glowing.
In school, I really felt like I didn't fit a type. I think everybody had a hard time putting me in a category. They all sort of realized, 'Hmm, you don't really look like a soprano. You're not really a character belter.'
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