A Quote by Andrew Haigh

In the end, with all of my films, I want to understand the continuity between these films and understand what they're trying to do. — © Andrew Haigh
In the end, with all of my films, I want to understand the continuity between these films and understand what they're trying to do.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
I don't understand how people do so many films at the same time. For me, two films a year.
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
I wouldn't say films are a natural process after modelling. Films are more complex. There is not much connection between ramp shows and films.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
I don't understand indie films. So, I won't do such films.
Most of my films seem to be about people bewildered by the world around them, who don't fit into it and are trying to understand it.
It is apparent that only a certain kind of person will want to make ethnographic films, It will, above all, be those who sense the profound affinity that exists between the film medium and a desire to understand people.
I was a good student. For a while, my parents did make me cope with school and films simultaneously. But after a point, this wasn't practical. I had to choose between studies and films. I chose films.
The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things. What happened, happened.
I don't believe in misconceptions in art and films. There are always so many different ways to relate to or understand a film. I love films that give a great amount of space to the audience to explore or be active with what the film is saying.
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