A Quote by Andrew Haigh

Homophobia obviously still exists, but it is a lot more subtle, and it is a lot more in the background. — © Andrew Haigh
Homophobia obviously still exists, but it is a lot more subtle, and it is a lot more in the background.
American racism seems to be a lot more in the open. The U.K. is different but it obviously still exists.
Obviously, culturally, England's style of play is a lot more direct and physical. In Spain, they're a lot more patient, and they have the ball a lot more.
I think, even though homophobia still exists, there is much more of a dialogue and a taboo around being homophobic.
I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
It's very easy to get caught up in everything that's going on and just daily stuff being a distraction. When you have all that taken away from you, your daily activity becomes a lot more subtle, and you appreciate it all a lot more.
I wish there were more, if there if there were more George H.W. Bushes in the world, we'd be, we'd have a lot more harmony, a lot more freedom, a lot more peace on earth, and I'm just so proud of his legacy he left earlier.
The confidence and the comfort level just comes with playing a lot and practicing. Obviously, the more you practice, the more you play, the more comfortable you get.
I'm not a hermit, but I definitely stay in a lot more than I used to. There's more attention now then there ever was. You walk down the street with someone and it's a story. It becomes national news, you know what I mean? So, I still do things, but I stay home a lot more.
I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
Film is much more visual, a scene is typically a lot shorter, you’re dealing with a lot more characters, a lot more locations and you’re able to rely on things that you just can never do on the stage.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.
There is a lot more opportunity now, and I welcome all the conversations we are having about diversity, about women and about class... I come from a very working-class background, and I think the class thing is still probably more tricky.
I mean obviously we're all dealing with a lot more strangers due to the web. I'd say it has more to do with the quality of interactions. When you're physically interacting with someone, it forces you to be more present and probably a little more uncomfortable. You have to tolerate being outside the comfort of your own home.
I've got a lot of opportunities, a lot of love in my life, a lot of things going for me. Still, it's not complete. I know this is not the whole thing. There's much more.
With a novel, you have the reader with you a lot longer, and you owe him a lot more. Obviously you have to have a plot - I say "obviously," although I think a lot of fiction doesn't, and nothing seems to happen. But to me, there should be something that happens, and it should be at least vaguely plausible. And because the readers are going to be with these characters for a long time, you have to get to know them and like them and want to know what happens to them.
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