A Quote by Andrew Haigh
Whoever my films are about, they'll hopefully still have my sensibility, whatever that is.
Related Quotes
The older I get, the more I'm drawn to the smaller films, but I still hope to keep bigger films in my repertoire. It's just maybe going to be a shift in focus, but I'll definitely still hopefully be kicking around in those.
I'm very fatalistic about life. Whatever happens, happens. The imperative for me is that I do my contribution for my people, for my culture. I still want to make films for them. I still want to make films that confront our struggles.
Whatever God felt about anything, He still feels. Whatever He thought about anyone, He still thinks. Whatever He approved, He still approves. Whatever He condemned, He still condemns. Today we have what they call the relativity of morals. But remember this God never changes. Holiness and righteousness are conformity to the will of God. And the will of God never changes for moral creatures.
I'm not making films for middle aged journalists, who are mostly men. I make films that hopefully entertain people, where they can learn something about life.
What I want to say about the Kanye thing is that whoever wants me to be in their life - whether it's a rapper, celebrity, janitor, banker, newsman, teacher - my job is to be a light for God and Christ. Whoever I'm with and whatever I'm doing, that's my purpose.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
Even as a teenager, my sensibility was different because my parents introduced me to some amazing films. I grew up watching films like 'Kabuliwala,' 'Casablanca,' and 'Mandi.'
Whoever makes big records is a winner to me. Not the person with the mumbo jumbo, or the biggest diss record, or whatever the case may be. In the end of the day, whoever is most successful, whoever puts out a big record, wins the battle.
Whatever was about, whoever I had seen, and heard rocking, and who had passed me by just now, whoever had opened the locked door was not 'real'. No. But what was 'real'? At that moment I began to doubt my own reality.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
Sascha is an unbelievable player; he's going to be a champion. Hopefully, I can get there one day. Hopefully, I can get to his level. I mean, he's still better than me. But I'll keep working hard, and hopefully we could start a little bit of a rivalry.
I like stories that begin with characters. I like to be engaged and moved by the characters in the story. I want to be moved. I want to leave the cinema and think about what I've seen. My sensibility is quite eclectic and it doesn't matter if they are small or large films, I just want to make good films.
That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos.
New York is all about sort of a corporate sensibility, and it is squeezed out room for any other kind of sensibility, money talks, bullshit walks, I guess.
If five years from now we solve the access problem, but what we're hearing is all encrypted, I'll probably, if I'm still here, be talking about that in a very different way: the objective is the same. The objective is for us to get those conversations whether they're by an alligator clip or ones and zeros. Whoever they are, whatever they are, I need them.
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