A Quote by Andrew Haigh
There have been some good British gay films.
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It wasn't just British gangster films that really did for me as a kid, personally, it was British films in general.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
I am going around British secondary schools, as a gay man talking about my life, and encouraging schools to get rid of homophobic bullying and to care for their gay members of staff and their gay students.
Four of my films have been remade in Tamil and Telugu. Although I haven't seen any of these remakes, I do feel happy that I've been a part of good films. It's nice to know that some scripts still leave behind a mark after their theatrical run this way, so I have to admit, it is quite flattering.
The tradition has always been that in Roman films, the Romans are always British, and it's usually posh British: Laurence Olivier and his ilk. My take on all this was that it's a metaphor for empire and the end of empire.
London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
If it bothers me on the page, I don't do it. If it attracts me on the page and moves me, makes me think a bit, makes me laugh, makes me cry, I'm interested in it. If it's there on the page, it means it's there and up to me to bring it out. I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I'm fallible is what I'm saying.
Rumors went round that I might be gay. In some ways, I was happy w/ this. Larry Rivers proved to me that a gay man could be wild, attractive, and courageous; in any case one's sexuality was becoming less of an issue every day. One of the great things about the British Mod movement was that being macho was no longer the only measure of manhood.
I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong.
The BFI recently did a study of the British films that have the most people of color in them in the last 10 years, and in the top 10, three of the films were my films. I've always been a glass-is-half-full person. I've always gone, "If people aren't going to do it, I'm going to do it".
There's some good films, there's some films that could be improved. So we keep trying until we get it right. That's the nature of storytelling, whether it's on paper or on film.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I'm for anything life-affirmative. I'm for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who's different.
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I’m for anything life-affirmative. I’m for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who’s different.
Some of the films I've been most happy with have been the films that don't see a lot of traction.
I've always been into films. I've been offered lots of films but they've always been these very stereotypical roles. They wanted me to play some gangster or street guy, or pimp, drug addict.
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