A Quote by Andrew Haigh

The endings to me are the key moment in 'Weekend' and '45 Years.' I know how I want my gut to feel at the ending. Even if I can't articulate in words what that feeling is, I'm trying to find ways to get there.
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
I really like to plan and think ahead and put things in their place. I'm a bit of a control freak. In many ways, I have done myself a great service over the years in trying to loosen that a bit, and trying to learn how to be present and be comfortable with where I am in any particular moment, literally and figuratively. To try and find the joy and peace in any situation, even if I feel like I don't have a handle on where it is or where it's going.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
I don't know if there is a 'lack' of good black men. But when you haven't taken the time to get to know yourself, be OK with you, and articulate what it is you want in a relationship, then you can't possibly find that person for you because you don't even know what you're looking for.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
I'm in the middle of an existential crisis in how I approach comedy about these big issues. I sometimes find, when I get drawn on the subject of race, it's too close to home for me and I can't articulate what I'm trying to get across.
So gut tells you "How do I feel about this right now?" It doesn't tell me how I feel about it tomorrow or even a few minutes from now. It just tells me how I'm feeling right now.
Don’t do what you know on a gut level to be the wrong thing to doI don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
Managers used to say, 'I have a gut feeling.' Do you know what a gut feeling is for a professional manager? It's a pattern that they recognize. But if your system can recognize that pattern, if it's not just a couple of managers who know that pattern, then the system's gut feeling can tell you which way to go. That's really liberating.
Becoming a vampire is forever. You don't get to change your mind about it later. For me, I think that's one of the big drawbacks with anything that's permanent. How do you know how you're going to feel in five years or 10 years? Even with a tattoo.
What makes a sentence, a phrase, a moment, or a scene delightful? Something about recognizing the truth in it, hearing the music in it, understanding, intuitively perhaps, that the words are just right. It's not a matter of even context - delight is not limited to scenes or descriptions of happiness or beauty - but of aesthetic appreciation of the thing itself. As a reader, I find it's that moment when I want to stop reading, and also that moment when I know I can't. Delight is that it's what takes me by surprise and reminds me why I love the literary arts above all others.
I've also found that trying to be active with social media changes my moment-to-moment perceptions. Instead of feeling, "What's the deepest version of what's happening here?" I start to feel, "How can I use [or "claim"] this?".
But the Fear (that sensation that all writers get of how the hell do words get from my puny little brain to into a book, and isn't magic somehow involved, and surely I'm not qualified to be involved in any part of that process, and I somehow managed that tomorrow, but you mean I have to do it this morning too, well how do I even start?) withdraws quite a bit when it's already light and lovely outside when I get to my desk. So I got right past that big moment today, and into the fun slide down towards the ending, yelling whee.
Birds flying high you know how I feel Sun in the sky you know how I feel Breeze driftin' on by you know how I feel And this old world is a new world And a bold world For me And I'm feeling good I'm feeling good
Rejection, though--it could make the loss of someone you weren't even that crazy about feel gut wrenching and world ending.
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