A Quote by Andrew Lau
When I have a chance to make some movies, I am 200 percent to concentrate about my works.
Related Quotes
Anything is possible. You can be told that you have a 90-percent chance or a 50-percent chance or a 1-percent chance, but you have to believe, and you have to fight.
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
You can't take everything that is offered to you. I pass on a lot of stuff, because I truly believe that I will shine better if I could do it 200 percent rather than do it 80 percent and make it so-so.
I moved to Madrid with 200 bucks in my pocket to see what was going to happen. Of course, I didn't know that 200 euros was nothing, because in Cuba, 200 was a lot, and the money I had been saving from my movies.
About five years ago, the courses we run in the Field Trials were 52 percent timber. The hawks live in trees, and the quail nest on the ground. Since then we've trimmed back about 1,200 acres of trees to get it closer to the ideal course ratio of 25 percent trees/75 percent open ground.
If I give you a forty five percent chance at lethal injection, a fifty percent chance at the electric chair, and a five percent chance for escape which are you going to vote for? The electric chair, because youre likely to win?
Obama was 200 percent advertising. I promote myself to sell my brands. Because now I am a kind of celeb. I am in a different world than the fashion industry. I am with Mick Jagger, Michael Jackson, Madonna. I build me as a celebrity.
In fashion, general people will look to the piece itself. [Some designers] concentrate on, 'How can I make this seam look special?' or 'What am I going to do with that button so it looks interesting?' I am not interested in that. At the moment, I am more interested in the shape and the form. I have a big desire to make clothes without defining them.
I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.
I am very passionate about what I do; I give it 200 percent, and I don't think it will ever change. But I've realised that, as an actor, you have to give it your best and let it go. That's the most difficult journey, and it comes with time.
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart; there's no soul. Movies used to be about people. It's as though we don't tell stories any more. The studios have to make money, and if you want to make $20 million, you have to spend $200 million.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
I get absolutely ruthless in my own way about not doing anything else when I am trying to concentrate on writing a book. I have to stick to it and concentrate.
If you have to remind yourself to concentrate during competition, you've got no chance to concentrate.
I'm 100 percent gonna beat Ronda Rousey - I'm 200 percent.
There are 800 some muscles, 200 some bones. Your body works in three planes of motion: arms, legs - pentadactyl limbs. That's what we're working with.
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