A Quote by Andrew Stanton
I had never touched a computer in my life before I came to Pixar.
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I came in during the era of models, motion control, and optical printers. ILM had just started its own computer graphics division, after the Lucasfilm computer division had been sold off and became Pixar.
I play a lot of computer games. I love computer graphics. I've had Pixar in me for a long time.
My unworldliness, even at 21, was abnormal. Not only had I never smoked tobacco nor touched alcohol of any description, but I had never yet set foot inside a theatre, or gone to a race course I had never seen, nor held a billiard cue, nor touched a card.
I was asking questions which nobody else had asked before, because nobody else had actually looked at certain structures. Therefore, as I will tell, the advent of the computer, not as a computer but as a drawing machine, was for me a major event in my life. That's why I was motivated to participate in the birth of computer graphics, because for me computer graphics was a way of extending my hand, extending it and being able to draw things which my hand by itself, and the hands of nobody else before, would not have been able to represent.
Computers absolutely changed my life. Before I had a computer, I had never written one thing. Not one thing. I'm a very bad speller and I was embarrassed by that. When I would type, the little mistakes would make me nutty, and I would never edit anything.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
Pixar has invented much of computer animation as it's known today, and I've been very lucky to be the first traditional animator to work with computer animation.
Computers sort of came around through games and toys. And you know, the first computer most people had in the house may have been a computer to play 'Pong,' a little microprocessor embedded, and then other games that came after that.
Intellectually I touched God many times as truth and emotionally I touched God as love. I touched God as goodness. I touched God as kindness. It came to me that God is a creative force, a motivating power, an over-all intelligence, an ever-present, all pervading spirit - which binds everything in the universe together and gives life to everything. That brought God close. I could not be where God is not. You are within God. God is within you.
I would say that what we called the Pixar sensibility goes back even further. It is kind of a CalArts sensibility because so many of the people who are creative instrumental people at Pixar came from that school.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
Education is that human process of feeling your body mature, feeding your mind with ideas that it never had before, or information you never had. You simply cannot do that on a computer.
The darkness has departed and the night stars have passed by, you have touched my life like never before and I cannot stop thanking God for you in my life. Have a great day!
Back in 1993, I was studying in Delhi, and I had a girlfriend. I had never touched a girl before that in my entire life. One day, I decided to go out with her to a garden. We were sitting beside each other, and I just glanced around to see if anyone was looking at us, and I put my hand over hers. I thought love started in this way.
I traveled the world ten times over doing something I never thought I'd do in a million years. I found myself in Tokyo, Japan. I (was in) a Dell Computer commercial, the first thing I had ever done, and I fell in love with it. I fell in love with the green screens, I fell in love with (everything). The translator was explaining everything to me. It was a passion like I had never felt before. I came back and it took me five years to really accept that that was okay.
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath: The horror! The horror!
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