A Quote by Andrew Stanton
John [Lasseter] always said that he was Andy, and Joe [Ranft] and I were Sid, and I think that's true.
Related Quotes
The Braintrust developed organically out of the rare working relationship among the five men who led and edited the production of 'Toy Story' - John Lasseter, Andrew Stanton, Pete Docter, Lee Unkrich, and Joe Ranft.
I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.
I think it was in Moscow last year and I got changed for training the day before we played Moscow, but the fact is they actually wanted to do John's, me and John were next to each other and they did mine by mistake. John had done them I think. So yeah it is true.
I have the utmost respect for Joe Rogan. I think he does his job better than anybody else could. I just think that we were both coming through a maturing stage in our careers and he said what he said and I said what I said. And we've both grown since then.
John Clellon Holmes... and I were sitting around trying to think up the meaning of the Lost Generation and the subsequent existentialism and I said 'You know John, this is really a beat generation'; and he leapt up and said, 'That's it, that's right!'
They were all wonderful [on Andy Griffith Show], but I enjoyed Andy and Don and Ron the most. Ron played little Opie so well. He really took acting seriously and worked hard to deliver his lines well. Andy was always fun and liked to tease. Don was nothing like Barney. Don was very quiet, which shows what a good actor he was.
I think 'G.I. Joe' is a perfect example of how I'm the world's worst businessman. If I were smart, I'd be writing 'World War Z Part 12', but I have to go where the muse leads, and I've always been a huge 'G.I. Joe' fan. I always wanted to know more about these characters, these little plastic figures I played with as a kid.
So it was a win-win all the way around. It was an amazing moment, not only for myself and the team behind the film, but for DTS and for John Lasseter. He was always a big fan. He was a proponent, a supporter of the whole thing, and it just worked out.
My first jobs were at Pixar and John Lasseter just doing animation would always allow actors to do that, and then animate to that. It was an early lesson for me that, if you're lucky enough, as I've been in my career thus far, to get really incredible iconic people to do your stuff, you want them to tell your story and you want them to be on page in the important moments, and they usually are.
And usually I'm not watching the screen. I'm kind of sitting and looking off to the side, spying on people to see what they react to' cause it's - as Joe Ranft used to say, you know, animation is like telling a joke and waiting for three years to see if anyone laughs
I was in the classroom four days after the inauguration, because I said to Joe when we got elected, 'Joe, I really want to continue to teach.' And he said, 'Absolutely. You should be doing what you love.' Politics - that's Joe's life, really, his love. But teaching is mine.
It's better to fade away like an old soldier than to burn out. I don't appreciate worship of dead Sid Vicious or of dead James Dean or of dead John Wayne. It's the same thing. Making Sid Vicious a hero, Jim Morrison - it's garbage to me. I worship the people who survive. Gloria Swanson, Greta Garbo.
When I first landed at Pixar, I felt like I found this creative oasis with John Lasseter... It's what you thought Hollywood was going to be.
It can't be supposed," said Joe. "Tho' I'm oncommon fond of reading, too." Are you, Joe?" Oncommon. Give me," said Joe, "a good book, or a good newspaper, and sit me down afore a good fire, and I ask no better. Lord!" he continued, after rubbing his knees a little, "when you do come to a J and a O, and says you, 'Here, at last, is a J-O, Joe,' how interesting reading is!
If you talk about big trends at Disney, these movies generally are generated by directors or directorial teams pitching ideas to John Lasseter.
One day, we were going to the studio for John's recording session, and as we were leaving to get to the studio, in the elevator, all of a sudden, John leaned over and gave me a kiss. He said, 'I've been waiting to do this all day.' I said, 'What are you talking about?' What happened was, he'd liked me.
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