A Quote by Andrew Tudor

In a Western or a thriller there is often room for reflection upon the coercive necessities; even, occasionally, some attempt to pose other possibilities. In the horror movies there is finally a Hobbesian state of nature: 'continual fear and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short'.
Whatsoever therefore is consequent to a time of war, where every man is enemy to every man, the same consequent to the time wherein men live without other security than what their own strength and their own invention shall furnish them withal. In such condition there is no place for industry... no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.
Life in the state of nature is solitary, poor, nasty, brutish, and short.
For most people, life is nasty, brutish, and short; for me, it has simply been nasty and brutish.
Life is nasty, brutish, and short. Death is easy.
The life of a journalist is poor, nasty, brutish, and short. So is his style
Life is nasty, brutish, and short
John Cheever was the first writer I ever read who sort of had that similar sensation that, you know, life is nasty, miserable, brutish and short, but that occasionally, there's a certain river of light, a kind word, a telling gesture that sort of illuminates something.
My painting is not violent, it's life that is violent. Even within the most beautiful landscape, in the trees, under the leaves, the insects are eating each other; violence is a part of life. We are born with a scream; we come into life with a scream and maybe love is a mosquito net between the fear of living and the fear of death.
Safety from external danger is the most powerful director of national conduct. Even the ardent love of liberty will, after a time, give way to its dictates. The violent destruction of life and property incident to war, the continual effort and alarm attendant on a state of continual danger, will compel nations the most attached to liberty to resort for repose and security to institutions which have a tendency to destroy their civil and political rights. To be more safe, they at length become willing to run the risk of being less free.
Occasional observers of horror movies have a nasty habit of asking why it is that there is always some poor misguided soul who opens the door to the cellar or to the attic or to the crypt when it's quite clear that no sane person would even consider it.
If we're in some sort of Hobbesian state of nature, where you just want a strong man who has no compassion Donald Trump is going to do a little better. So, we will figure out what game we're playing.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
When courtesy fails, be nasty, brutish, and short.
The world is a Hobbesian state of nature in which the struggle for domination is the very essence of international life.
I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
It is simply that in all life on earth as in all good agriculture there are no short-cuts that by-pass Nature and the nature of man himself and animals, trees, rocks and streams. Every attempt at a formula, a short-cut, a panacea, always ends in negation and destruction.
This site uses cookies to ensure you get the best experience. More info...
Got it!