A Quote by Andrzej Wajda

At the same time, television theatre became more visibly active. — © Andrzej Wajda
At the same time, television theatre became more visibly active.
It did suffer and it became very weak, while the reporters from Iraqi radio and television stations were more active and had more accurate information.
Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.
At the time I became a parent, I was taking on a more active creative role in my industry.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
After my schooling, I started theatre. By the time I graduated, I was doing theatre 24x7. Luckily, the FTII (Film and Television Institute of India) acting course started.
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.
Rather than disliking theatre, I've expressed a preference for television because it tends to deal in its small way much more with issues and is able to reach a broader church of people than theatre.
There's so much active misinformation and it's packaged very well and it looks the same when you see it on a Facebook page or you turn on your television. If everything seems to be the same and no distinctions are made, then we won't know what to protect.
I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
The paparazzi were outside the theatre every single night, but we came up with a cunning ruse. I would wear the same outfit every time - a different T-shirt underneath, but I'd wear the same jacket and zip it up so they couldn't see what I was wearing underneath, and the same hat. So they could take pictures for six months, but it would look like the same day, so they became unpublishable. Which was hilarious, because there's nothing better than seeing paparazzi getting really frustrated.
I think it'd be wonderful if we could train young girls to be active in lots of ways and that they then wouldn't have to age at the same rate that they would if they were not more active. In other words, more physical fitness and not just the sporty kind, but the yoga, which is really important.
There's an infantilization that happens to actresses in general - musical theatre, straight theatre, television, film - we're spoken to like children. Actors are spoken to like children a lot of the time.
Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.
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