A Quote by Andrzej Wajda

However, that old mode of Polish filmmaking virtually disappeared. — © Andrzej Wajda
However, that old mode of Polish filmmaking virtually disappeared.
A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.
The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
The craft of painting has virtually disappeared. There is hardly anyone left who really possesses it. For evidence one has only to look at the painters of this century.
This homage has been rendered not to me - for the Polish soil is fertile and does not lack better writers than me - but to the Polish achievement, the Polish genius.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
It really is a day job, and it also seems to have virtually disappeared-with no remorse, really. It gives me more time to paint.
As Polish society we cannot live with the term 'Polish death camps' or 'Polish concentration camps.'
It's a cliche that filmmaking is a team sport. However, let me say just say it again: filmmaking is a team sport.
Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
I know when I grew up, it was, if it was daylight outside, get outside. Well, now, with the technological age of computers and everything, everyone's inside virtually going everywhere they want to go, virtually having relationships, virtually traveling across the neighborhood, virtually going to that island.
In the event of any action which clearly threatened Polish independence and which the Polish Government accordingly considered it vital to resist with their national forces, His Majesty's Government would feel themselves bound at once to lend the Polish Government all support in their power. They have given the Polish Government an assurance to this effect. I may add that the French Government have authorized me to make it plain that they stand in the same position in this matter.
I say this ironically, not because I favor the State, but because people are not in the state of mind right now where they feel that they can manage themselves. We have to go through an educational process - which does not involve, in my opinion, compromises with the State. But if the State disappeared tomorrow by accident, and the police disappeared and the army disappeared and the government agencies disappeared, the ironical situation is that people would suddenly feel denuded.
Some of my good friends who were writers disappeared. Others are still inside Syria and there are others who are refugees. I'm worried about those who disappeared. I don't know anything about them now. They just disappeared like that after the war started, while I was living in the United States.
There is a polish for everything that takes away rust, and the polish for the heart is the remembrance of God.
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