A Quote by Andy Kershaw

If the great Phil Ochs were to rise from the dead today, he would probably be hailed as the new David Rovics. — © Andy Kershaw
If the great Phil Ochs were to rise from the dead today, he would probably be hailed as the new David Rovics.

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I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
I would hate to be a new artist or writer in town today. But somehow the cream continues to rise. If there's one who's great, he just jumps out of the pack like you can't believe.
I wish I were dead, or that it were tomorrow night,' groaned Phil.
I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They're equally as influential to me as Dilla, Premier, and Pete Rock.
Its a call-to-action to rise from the dead and actually live. Were born spiritually dead, and Im calling for everyone to become spiritually alive. Secondly, dont wait until later to live the way you were created. God created you to honor Him, find joy, and serve others. Dont sleep on that. Lastly, rise above the low expectations people have.
What sort of man is this, who over and over again, gave numerous details about His death, months before it occurred, and added to each such utterance that on the third day after His decease He would rise again from the dead - and DID RISE, as even the city of Jerusalem soon came to believe? No other founder of a great world religion (or a small one) ever made such statements, or ever came forth from the dead.
One cannot expect to coast along and rise automatically to the top, no matter what friends you may have in the company. There may have been a time when, in large corporations, a person could rise simply because he had a stock interest or because he had friends in top management. That's not true today. Success in business requires training and discipline and hard work. But if you're not frightened by these things, the opportunities are just as great today as they ever were.
... most people are dead, and none of them seem to mind it. One hears a great many complaints about life, doesn't one? And there are people I know who would certainly grumble -- however dead they were -- if there were anything to grumble at.
My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
If I were a black liberal, I would be hailed, I guess. But I'm not. I mean, I think for myself. I want to make my own decisions.
Phil Ramone and Quincy Jones were very close. Phil Ramone was one of the greatest record producers of all time. I don't know if they talk about him enough in the film, but he produced [Frank] Sinatra, Barbra Streisand, all of Billy Joel, Paul McCartney - Phil Ramone was one of the major record engineers and producers.
For many people, the big feast of the year is Christmas, but for Christians, the truly great feast is Easter. Without Easter, without the Resurrection, we would not have the gift of salvation. Jesus had to rise from the dead or else he would have just been another failed Messiah and his birth would be a forgotten footnote of history.
When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
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