A Quote by Andy Kindler
When I started out in the late '80s, my act was pretty terrible, and for years, I kind of toiled in obscurity. I don't believe in a hierarchy in comedy; I feel that a person deserves respect the first time they get onstage, and after that, they just have to be funny and get more consistent.
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Not everyone can be as successful a performer as myself, who gave 10 great performances the first time I ever did comedy, and then toiled in obscurity for years.
I didn't get started until late. I didn't get started until I was 20. I turned 21 in my first MLS season, in March. It's always been a race against time, really, for me. It's kind of my mentality, to make up for lost time.
Comedy is my favorite genre. I think it often doesn't get the respect it deserves, and I think one of the reasons is there was a tradition in the past of comedy looking kind of brightly lit and like a sitcom.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
In 1989 at Greater Saint Steven Full Gospel Church, I gave my life to Christ. That's pretty much where it all started for me. I was 23 years old at the time, right after my first year in the NBA. The pastor preached a message about being fully committed. That pretty much was me. I wasn't fully committed. I was kind of in and out all of the time. So I just wanted to make a commitment.
I just developed my act way back in the late '80s. I went to college in Georgia, so I picked up the Southern accent. I talked like that with my friends all the time, because it was fun. It was funny... All my friends were real Southern. We're buddies, so I'd say stuff to make them laugh. So that was pretty much it.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
Coming out of graduation, I didn't immediately know what direction I wanted to do so I decided to just stay as an intern until it really kind of dawned on me and I felt more compelled one way or the other. So I gave it a few years and then after two years it was really clear that deep down I missed being a full time creative artist. Ironically, I started getting clients who were all in the entertainment industry and a lot of them were in comedy!
I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.'
I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.
I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.
My big regret is that my brother and I didn't start doing what we did like, 10 years before. I feel like then we would have sold some records. We started pretty late - I was 27 when our first album came out.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
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