A Quote by Andy Muschietti
One of the greatest things about the book is that everything we know about 'It,' it's pretty speculative. We see it from the point of view of Loser's and that's what makes it so scary. We never get to know exactly what it is.
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I believe that it's very important to get to know people with whom you can have a substantive dialogue about design and its development. In addition, read everything about fashion that you can get your hands on. A palpable point of view is what makes a designer, so you need to be confident about yours.
People always go on about how fantastic relationships are in the beginning, and of course everyone hates relationships when they end, but what about the middles? the middles where you know everything there is to know. Where you can look at the person you love and know what they're thinking, see something on the telly and know how they'd react;When you know exactly what they'd wear to come round and see you.
Start thinking positively. You will notice a difference. Instead of 'I think I'm a loser,' try 'I definitely am a loser.' Stop being wishy-washy about things! How much more of a loser can you be if you don't even know you are one? Either you are a loser or you are not. Which is it, stupid?
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
I try to know as much as I can about a book before the beginning, but I never know exactly where it's going to end.
"The Diagnosis" is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
Science usually operates in sort of three modes, things that are well established, we know what we're talking about, more highly confident. There are competing explanations, we have a pretty good idea, but we're not sure. And then things are speculative.
And I know, that I know, that I know, we are about to see the greatest manifestations of God's presence ever! A prophetess named Ruth Heflin sent me a word recently and told me to get ready, to see, physical manifestations of Christ on the platforms in our crusades, that people will have visions of the Lord in the meetings. Those things have happened in the past, I know. In a Thialagua (spelling?) meeting one time in Africa, the Lord appeared to a - to the whole crowd! It is about to begin happening, I know it too! Expect it, to happen also, in your own home!
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
well, i don't know about you but I'm going to try everything! War, women, travel, marriage, children, the works. [...]. I want to know about things, what makes them work!
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
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