A Quote by Andy Muschietti
I think apart from the new spectacle that 'Chapter Two' brings compared to the first one, the scope, scale, bigger canvas, I'm proud of the emotional journey.
Related Quotes
Being creative and emotional, artistes sometimes go through difficult phases in life, but one has to look at life as a bigger canvas. It's like a big journey.
With 'Journey,' we created an emotional arc for two different scenarios. So, if you play alone, it's a good game. You have what we think is a complete emotional arc. You will feel, I guess, a sense of transformation in the single-player. Because it's a hero's journey.
I think we're on a journey....It was very easy to write about my past in my book, but writing about the present is all a new chapter. I hope that people find this journey fascinating, informative and educational.
My view is that the cyber threat is bigger than any one government agency - or even the government itself. But the FBI brings a rare combination of scope and scale, experience, and tools to the mix. We investigate criminal activity like intrusions and cyber attacks, but we also investigate national security threats like foreign influence.
I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.
What's fun to me is that we can make movies but we are no longer restricted by this two-hour timeframe. It gives us this bigger canvas to paint on. It opens up all sorts of new storytelling possibilities.
Throughout our history, Microsoft has won by making big, bold bets. I believe that now is not the time to scale back the scope of our ambition or the scale of our investment. While our opportunities are greater than ever, we also face new competitors, faster-moving markets and new customer demands.
'Iceman' covers a bigger scope than 'Long Day's Journey.' But they're both fabulous pieces of work. 'Iceman' is like a symphony. It's got all the movements, all these different voices. 'Long Day's Journey' is more like a beautiful string quartet.
I think that writers have natural canvases, and my canvas, even in short stories, often seems to be the scope of a life.
Many scales of climate change are in fact natural, from the slow tectonic scale, to the fast changes embedded within glacial and interglacial times, to the even more dramatic changes that characterize a switch from glacial to interglacial. So why worry about global warming, which is just one more scale of climate change? The problem is that global warming is essentially off the scale of normal in two ways: the rate at which this climate change is taking place, and how different the "new" climate is compared to what came before.
The first song that I wrote that I was proud of was probably 'Hunter' from the first record. But I listen that now and I don't know. I mean, it's got a good hook, but still. I'm proud of it. I'm as proud as I can be of all the ideas, but I think 'Party' showed a maturity that I don't think I had on 'Aldous Harding.'
The two mistakes that come to mind are people who introduce a flood of characters in the first few pages. Where the reader has to stop and get out a flow chart and has to figure out who is who. And you just can't do that - introduce the first four generations of a character's family in the first chapter. You can introduce four or five characters at the most in the first chapter. Another mistake is to use big words that are not normally used in conversation to try to impress folks with your vocabulary.
The History Of The Universe In Three Words CHAPTER ONE Bang! CHAPTER TWO sssss CHAPTER THREE crunch. THE END
New York is such a competitive place; it tears people apart. People come here and, if they can't make it in the first month, they get torn apart and they have to go back to where they came from. I don't think that's terribly healthy.
Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
It's rare that you have a conflict and two people or two groups who are equally mature in their desire or capacity to get there. That doesn't mean it can't happen. What it means is that one person has to take the lead, has to be bigger. I call that kind of person the new first responder.
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