A Quote by Ang Lee

When there is a strong woman character in a story - that always grabs me. — © Ang Lee
When there is a strong woman character in a story - that always grabs me.
When there is a strong woman character in a story - that always grabs me
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
For me, what grabs my attention about the project is usually the character immediately and then the story, and then the people that are involved.
The goal is always about the next story. It's always about the thing I haven't done before. It's about learning, or it's about becoming better, and it's about whatever story grabs hold of me.
I'm playing a very strong character, it's the story of the woman Polish Jews out of the Warsaw ghetto. I've just begun my weapons training and the SAS type training that's getting me fit.
Being the ideal of a strong woman means utilizing all the things that God gives you. People are always saying to me, 'You're a strong female, so why are you wearing a bikini on the cover of that magazine?' Being a strong woman is misconstrued to be something evil and ugly.
I don't think it's a bad thing to play a character that's not necessarily a super-woman. Even if the character is a little bit stereotypical, as long as the whole story is good and positive, or makes some sort of important statement, I think it's okay. But, on the whole, you can't just do that, especially as a black woman. It's more of a responsibility. You've gotta let the world see black women being successful, strong, smart, with power and who are self-possessed.
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.
There is often times when I'm in a bar or after a show, and a woman just grabs my head and shoves it into her cleavage, or grabs my ass, or something like that which - don't get me wrong. I'm not complaining, but it's just interesting. It's just interesting that that occurs.
I love all of the ballets that have a really strong story in them where I get to play a character. I don't enjoy the ones that are more technical without a story line and it's just me on stage dancing.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
'Ten Days in the Valley' has everything: It's a thriller, it's a taut, exciting love story, and it has the kind of character our audience loves - a strong, powerful woman who is also dangerously flawed.
I guess my personality is that of a modern, strong Chinese woman. I don't believe in destiny. There are many things that can be changed. I don't like to be defeated by difficulties. I love freedom, so when I am shaping a character, I usually do it the way I want. I always find some part of my own character in a role.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
There's only a handful of directors who really understand what I call the alchemical balance between a man and a woman, in a woman's body, which most people consider the strong woman character.
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