A Quote by Ang Lee

Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
Though liberals do a great deal of talking about hearing other points of view, it sometimes shocks them to learn that there are other points of view.
Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.
Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
By the time I got to school, I had already read a couple hundred books. I knew in the first grade that they were lying to me because I had already been exposed to other points of view. School is basically about one point of view -- the one the teacher has or the textbooks have. They don't like the idea of having different points of view, so it was a battle. Of course I would pipe up with my five-year-old voice.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
The world is getting smaller. And people are bumping up against people from different parts of the world with very different points of view. The challenge of our time is going to be, how do you allow other points of view to exist within what you traditionally see as your world?
Friendship can only exist between persons with similar interests and points of view. Man and woman by the conventions of society are born with different interests and different points of view.
I always think that's neat, when you can hear a story told from different points of view, different perspectives.
So I wanted to explore all points of view of that, not just the girl's but his point of view as well. Only by directing it could I explore all the points of view.
'21 Grams' is only one story told by three different points of view, but they are really physically connected - literally, with the heart.
Maybe politically it wasn't wise but when people have different view points I think the public has a right to hear it and the public has a right to make decisions based on those view points.
I mean, if I went into my closet, I could find a previous draft and try to figure that out, but it takes a long time for me to find the voice to tell a story in. I was working from other points of view for a couple years there.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.
'Jekyll and Hyde' I read in high school. I was expecting a Hollywood-type horror story and couldn't believe it when I got this very complex narrative from all these different points of view.
A lot of people telling the same story from their various points of view.
This site uses cookies to ensure you get the best experience. More info...
Got it!