A Quote by Ang Lee

When I started out, nobody gave me scripts, so I had to write. — © Ang Lee
When I started out, nobody gave me scripts, so I had to write.
When I started out, nobody gave me scripts, so I had to write...
had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.
I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
I found that married life gave me the necessary freedom to follow an ambition which had been with me since childhood; and so I started to write in earnest.
Since 'Heroes' started, I've probably had about 15 or 16 film scripts sent to me with Indian characters, and out of those, maybe one was good.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
I got real bored in '96. Wasn't nobody to fight. Nothing to look forward to. That's when I started playing basketball again. Had I not started playing basketball, my boxing career would have failed. But I went from a sport where nobody could touch me to another where I couldn't touch nobody.
For anybody, faith and belief are everything you have. Nobody gave me the India cap; nobody taught me to go and get runs. It's a belief I had in myself.
Nobody gave me anything. I conquered everything. And I gave them a lot more than they gave me back.
When I got out of high school, I started breaking out. I tried everything from A to Z as far as seeing doctors and getting prescriptions. I even did home remedies, and I had no luck. A fan gave me Proactiv, and it cleared my skin, but there were too many steps. I lose everything, and I lost one of the products. My acne started to come back.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
If I write scripts that nobody likes, I don't think we'll be doing 'True Detective.'
I've got to sing for Pops; I've got to keep my father's legacy alive because he started all of this. So I started calling people, and nobody would give me a chance, but I didn't let that stop me. I took money out the bank and I started making me a record, and I did it in this guy's basement.
I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
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