A Quote by Ang Lee

As artists, we like night more than day sometimes. — © Ang Lee
As artists, we like night more than day sometimes.
Night is purer than day; it is better for thinking and loving and dreaming. At night everything is more intense, more true. The echo of words that have been spoken during the day takes on a new and deeper meaning. The tragedy of man is that he doesn't know how to distinguish between day and night. He says things at night that should only be said by day.
I always have to have my lipstick. Sometimes I have more than one shade: start with one color for the morning, one for night. Sometimes I have a couple shades just in case I need something more powerful for the day.
I wake up in the night screaming sometimes when I've had a fight with my husband, more than with the company. I still sleep very well. I take it day by day. I am a very pragmatic person. That's how I survive.
Night had come—night that she loved of all times, night in which the reflections in the dark pool of the mind shine more clearly than by day.
Old age is the night of life, as night is the old age of the day. Still, night is full of magnificence; and, for many, it is more brilliant than the day.
Sometimes I lie awake at night, and ask, 'Where have I gone wrong?' Then a voice says to me, 'This is going to take more than one night.'
Day after day, night after night, my life at home is far from bright, but even home has more variety, than I can find in cafe society.
I like kids' work more than work by real artists any day.
Let each one of us pray day and night for the downtrodden millions who are held fast by poverty, priestcraft, and tyranny. Pray day and night for them. I care more to preach religion to them than to the high and the rich.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
I either wrote at the end of the night or sometimes in the morning. Sometimes they were full entries, or others I just wrote notes about things that happened that day or funny thoughts I'd had. If I had a truly eventful day, I'd take the time to write it all down in great detail. I edited a lot of content out once it was all finished - there was way too much, and I didn't want to bore anyone. I like to keep the book [Superficial: More Adventures from the Andy Cohen Diaries] moving at a fast pace.
Who's to say what will one day appear to have been trendsetting? Sometimes artists who receive breathless acclaim initially, seem to conk out. Other artists who don't register so keenly at the time, prove to be trailblazers.
As a writer I feel more like a filter than a performer. I absorb and observe and then I name scatterings of stars into constellations. I don't usually spend time asking whether the stars are random or planned. I make a narrative in the darkness, the area subscribed by an outline of bright points. Sometimes they look like Ursa Minor, and sometimes they just looks like one day the world exploded.
Pray for my soul. More things are wrought by prayer Than this world dreams of: Wherefore, let they voice, Rise like a fountain for me night and day.
I design for a woman who is on the go. Women are busier than ever, and I wanted to design a collection that can go from day to night and be fashionable. Sometimes I wear three outfits in one day.
The night is full of mystery. Even when the moon is brightest, secrets hide everywhere. Then the sun rises and its rays cast so many shadows that the day creates more illusion than all the veiled truth of the night.
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