A Quote by Ang Lee
I like to go back to Chinese film-making from time to time. I don't think I can make Chinese films back to back; it's such a big effort. I'd have to take a very long break.
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I have felt for a long time that I want to return back to being a singer-songwriter for a period of time. I will go back to Broadway. But I want to make the right choices about why to go back and when I am ready to go back.
It was probably very difficult to go from Chinese and then suddenly go to kindergarten and start speaking English; it's very hard to transition back and forth when you are in that pivotal age. It's also hard to transition back, but if I was immersed in the country for a given amount of time, you are surrounded by it, everyone is speaking, you are learning new things, you are practicing all the time.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
Everybody thinks making films back to back is a big deal but they did it all the time in the old days.
Chinese movies are not just about making Chinese local movies. It's about the Chinese money, the Chinese creativeness participating in a global movie. The problem is not the government not supporting this, they of course support this big time. The problem is whether other people are capable of doing the same thing I'm doing.
Most of the time, I'm making music. There'll be moments of my life where I feel like I gotta to take a break and come back to the music. It's hard to explain, but you need to get a break from it and then come back to it. It's like you gotta lose something to appreciate it.
I've always been fascinated by the Chinese. This goes a long way back to my childhood. The Chinese invented money, movable type, clocks, and built the largest ships in the history of the world.
I appreciate it if I make a Chinese film. And if there is an opportunity to make a Hollywood film, I will take it - especially because, as you probably know, in Hollywood, even today, there are not a lot of big roles for Asian performers. So it is a great opportunity. It is possible to make films that people everywhere enjoy. I travel quite a lot. I don't really feel like when I am in China, I am a Chinese person and when I'm here, I'm a foreigner. I don't feel that kind of difference anymore. In the past I did. Not anymore. I feel quite at home everywhere. The whole world is my home.
I did four independent films during the break between 'Twilight' and 'New Moon.' I haven't even really had time to sit back and process it all. But when you do finally sit back and think about it, it's incredible.
My father was a big Bruce Lee fan. He's Chinese-Hawaiian, and my mother is Chinese. He used to take us to all these really fantastical films with martial arts in them.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
I made a lot of money with the Chinese, and I know the Chinese very well. By the way, they don't love us. I will tell you that. Just in case anybody has any question. They don't. They always say, "Oh, but they have our debt." Think of it they take our money and then they loan it back to us and we have to pay 'em interest. It's very... It would be something to solve very easily, if you have the right messenger. We don't have the right messenger. Barack Obama is the wrong messenger.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
Actually, time and time again people always come back to my early, more innocent stuff, and say, "I kind of prefer that." I could go back to writing that and probably make more people happy, but it just doesn't feel like the right thing to do. I don't want to take the lazy route.
China need to be fought back on. And what we need to do is go at the things that they are most sensitive and most embarrassing to them; that they're hiding; get that information and put it out in public. Let the Chinese people start to digest how corrupt the Chinese government is; how they steal from the Chinese people; and how they're enriching oligarchs all throughout China.
If the Chinese economy can be opened so that currencies are convertible, Chinese tourists can take money and go see the world. Chinese businessmen can go and buy property in the U.S. and France and every place. All of a sudden, it's just going to be a blossoming global economy. I think it's going to be good for everybody.
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