A Quote by Angela Robinson

Alice Walker's words have such rhythm and scream music. — © Angela Robinson
Alice Walker's words have such rhythm and scream music.
I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
I usually start with the words. The rhythm of the words gives me the rhythm of the song, and then I look for the musical highlights in it to carry it.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
In the words of Alice Walker, the biggest way people give up power is by not knowing we have it to start with. We have it: just to look at the power of fighting student debt or 25 million Latinos who learned that the Republicans are the party that hate and fear but Democrats are the party of people deportation and detention.
I go to readings by fiction writers like Alice Walker, and I'm envious of the level of attention they generate.
Creatively, most of my influences come from the literary world: Alice Walker, Toni Cade Bambara. Writers are my heroes.
[On writing to Alice Walker, author of The Color Purple:] I told her I would play a Venetian blind, dirt on the floor, anything.
Words when spoken out loud for the sake of performance are music. They have rhythm and pitch and timbre and volume. These are the properties of music and music has the ability to find us and move us and lift us up in ways that literal meaning can't.
Like Alice Walker and Toni Morrison, I try to balance reality with how we'd like the world to be.
Music definitely is part of my rhythm, you know I play with a rhythm so I have to listen to music.
I am very, very happy for Alice Walker.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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