A Quote by Anika Noni Rose
I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.
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I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I wrote an op-ed piece in The New York Times about the amazing effect of shared wonder - how I have an audience filled with people who you'd think would hate each other, people from every religious category, all at the same show at the same time. And it's an amazing phenomenon to watch this shared sense of wonder, where these people who really don't like each other - for good and bad reasons, reasons that make sense and that don't make sense - are in the same room, experiencing this unification.
I sometimes look at the careers of other... I guess I could call them contemporaries or maybe close artists; you know, the 4 or 5 guys who go to New York City and get a loft and work together and use each other as models and that sort of thing and wait for years and years to get married. Maybe I just wasn't that definite.
What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.
Marriage is a pretty amazing thing when you think about it. For two people to live together for so long under the same roof is a big accomplishment. Fifty-year anniversaries are becoming extinct, yet again proving that long marriages deserve awards and praise. Sometimes I see old people in restaurants sitting together eating their meals and I watch them. Sometimes it makes me sad. They don't even talk. Is it because they have nothing else to say, or can they simply read each other's mind by now?
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
I think one of the traps of theater - what makes it so amazing is that it's not able to be mass-produced, but it also makes it hard to get work seen by people because if you're a creator, you do a cabaret or something, and maybe 100 people will see it and then it ends the night that you close it.
I think one of the things that is important, for me, though a lot of people would disagree with me, is that you be founded in theater so that you understand what an audience is, what kind of an animal it is and how to play with it. How to have fun with it, how to sympathize with it, all the things that an audience is. I don't think you're going to find that out unless you do theater.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
I begin to see what marriage is for. It's to keep people away from each other. Sometimes I think that two people who love each other can be saved from madness only by the things that come between them - children, duties, visits, bores, relations - the things that protect married people from each other.
I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along.
There's a tendency for people in New York to think the world exists between the East and the Hudson Rivers, and I don't share that opinion. To me the world is a big place and I try to reach people everywhere. Listen, if I'm nothing else, I feel I've been a man of the people. I'm not going to pretend to be one of those snobby New York theater people.
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