A Quote by Anil Kapoor

Not exactly but I get inspiration from stories which are unconventional. — © Anil Kapoor
Not exactly but I get inspiration from stories which are unconventional.
Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love.
I get inspiration from literally everything and anything. I take inspiration from people, relationships, stories, and I take inspiration from movies I see, books I read and songs I hear.
If we're going to have an unconventional budget, we probably need an unconventional process to get there.
I probably get more inspiration for human stories and idiosyncrasies than I do animal stories.
I always know exactly where my stories take place, which gives me something certain so I can use my imagination for the other stuff. I worry though, who wants to keep reading stories about Kalamazoo?
Donald Trump was a very unconventional candidate. He's going to be an unconventional president.
I cleanse the windows of my mind, that it may become a mirror reflecting inspiration from the most High. I do this, not with strenuous effort, but through quiet contemplation, through gently reaching and affirming an inward recognition. I know exactly what to do in every situation. There is an inspiration within me which governs every act, every thought, with certainty, with conviction and in peace.
What's the fun in doing conventional things? I would rather be known as someone who is unconventional. I like being unconventional. I like doing things which are different. That's what I like... It gives me a boost as an actor.
I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.
I have a bee in my bonnet as to how few black historical figures one sees on film; incredible stories, stories from which we are living the legacy and which just don't get made.
I found two true stories. One was in 2003. One was the beginning of 2004. I decided to meld them. Richard Davis' story which is the largest portion of this, a lot of the events are exactly as you saw, exactly what happened and the locations. Exactly as it was said with the chicken house and the strip club. Richard's parents were on the set and they'll tell you that the story is different than their son's. I was very concerned because I called them to say, 'You understand I'm fictionalizing this story?
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
I'm not so presumptuous to feel that they're gonna get it right away, get exactly what I have in mind. I hope that they'll enjoy looking at it at any rate, whatever it is. And that's why I started writing stories on my work.
I am very interested in human-interest stories emerging from modern India. I get my inspiration and daily dose by reading the 'Hindustan Times.'
I am very interested in human-interest stories emerging from modern India. I get my inspiration and daily dose by reading the Hindustan Times.
As a film enthusiast and a lover of stories, I have read biblical stories and I've seen biblical films with the same zeal as I have read and seen my own country's stories. Most of the time, the creator doesn't know where he gets his inspiration from.
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