A Quote by Anita Roddick

A great advantage I had when I started The Body Shop was that I had never been to business school. — © Anita Roddick
A great advantage I had when I started The Body Shop was that I had never been to business school.
As an actress, I never went to film school, and I think if I had gone to film school, I would have started with a great advantage. If you have a strong intent to do anything in life, you can do it, but it always helps to have formal training.
I started my blog back in 2009 because every Internet business and marketing seminar I watched at the time told me I had to. I had been trying to get a business started selling dating and life advice and was struggling.
This had been going on at Shortridge since 1906. My parents had also worked on the Shortridge Daily Echo. The way it came into being was that when they built Shortridge High School, they had a vocational department and they had a print shop.
At The Body Shop we had always been measured by how many jobs we had created, and I got a major award from the Queen on that.
Bobby Fischer started off each game with a great advantage: after the opening he had used less time than his opponent and thus had more time available later on. The major reason why he never had serious time pressure was that his rapid opening play simply left sufficient time for the middlegame.
I never went to school for that. In high school we had photography, which was great. That was another moment of discovery. I had a great teacher - I can't even remember her name now. I ended up going to boarding school for my last high school years and they had a dark room there. Of course there was curfew; you were supposed to be in bed at a certain time. But I would sneak out and sneak into the dark room and work all night.
When I was younger, I definitely wish I had felt more... I just wish I had started actually putting out my music earlier because I didn't do it until I graduated high school and felt like I was leaving. That's mostly because I have never liked my voice a lot or been like a particularly great singer.
If you could have had a fighter with David Price's body and my mind, you would have had the Great White Hope the United Kingdom has been waiting for for years. With my will in his body, we would have had this giant Scouser knocking everybody out.
I have more compassion than if I had led a life where everything worked out exactly as I had planned or if I had never been wounded or if I had never been betrayed or I had never been harmed. I don't think I would be as good a person.
By the time 1997 had rolled around, I had been in the music business for all my life, from the age of 15. I started recording professionally when I was 18. I had seen how record companies work, how the business works, and truth be told, I was pretty disgusted by everything by that time.
I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.
[Mel Gibson] had just directed The Passion [Of The Christ], and it had just been released as we started production on Complete Savages. But I have to say, nobody ever talked about it, and he never brought any of that to work. He was just delightful, and I had a great time.
I started The Body Shop in 1976 simply to create a livelihood for myself and my two daughters, while my husband, Gordon, was trekking across the Americas. I had no training or experience and my only business acumen was Gordon's advice to take sales of £300 a week. Nobody talks of entrepreneurship as survival, but that's exactly what it is and what nurtures creative thinking.
I went to this massive co-ed school for the first time when I was 16. Everyone there had been together since elementary school, and I found it quite difficult, especially when I'd never stepped into a classroom with boys. So I started looking out in the community for a social outlet. I started getting involved in student films and community theater. Acting began as a hobby.
I had wanted to make this film [Suffragette] for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version.
For the first time in my life, in my mid-20s, I started to question things. Had I been deceived? I thought I had been destined for something great - to be Whitney Houston or Jennifer Holliday or Phylicia Rashad. I started to realize that a lot of people think that, and it doesn't happen for almost everyone.
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