A Quote by Anita Sarkeesian
The struggles women face today are simultaneously very, very old and very new.
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A true gentleman is at a disadvantage in dealing with women. Women are realists, and their tactics are realistic, so no man should be a gentleman where women are concerned unless the women are very, very old or very, very young. Women admire gentlemen, and sleep with cads.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
I'm very lucky to go back to my old club, my old home, my old house. To start my new chapter in this second part of my life in the Premier League is going to be something happy. I have very good memories from those four years in Manchester.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
We fought very hard for feminism, for women's rights. What I'm seeing today is a very opposite thing. I don't know why, but I see women being put back in their place. And I hate it. We're losing all we worked so hard for.
There is a new way with very very tiny fiber optics, which give an enormous high resolution. There are many many thousand fibers, very very close together with a very small diameter.
The old boy network is still very strong and very true. Just look at the stock exchange and how many men and women are there. It is still very much run by men.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
Women face a very, very difficult time when they run for higher elected office, unfortunately, especially against a guy like Donald Trump.
I am very interested in the enlightenment of women. Very few teachers of advanced self discovery work with women, and if they do it's usually in a very second handed way. They treat women as second class citizens.
I find it very, very hard doing what the law on DACA says exactly to do, and you know, the law is rough. I'm not talking about new laws. I'm talking the existing law is very rough. As far as the new order, the new order is going to be very much tailored to the - what I consider to be a very bad decision.
I am often offered roles or women who are very strong, uncompromising. But it's fun to do 'Manglehorn,' where I'm playing somebody who's very open, very optimistic, very positive. I don't want to bore myself.
The women I see are very brave women, very strong women, women that are facing a lot of challenges and yet are up to the challenges and are making a very big effort. So I don't see why one of them cannot become a president - one day.
You know what the biggest fear among women who age is becoming bag women. They're 55, 60, with no relationship and no job, and they worry about it. Look, the dirty little secret is the women listening to me know that this is a very factual assessment of our culture today, and it is very unfair, and it hurts, and it bothers them greatly.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
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