A Quote by Ann Goldstein
I have very strict rules in my head that seem to me to be the way things should sound.
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My parents had very strict rules for me. Rules like, I couldn't be home until a certain hour.
Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.
For remember that in general we don't use language according to strict rules-- it hasn't been taught to us by means of strict rules, either. We, in our discussions on the other hand, constantly compare language with a calculus preceding to exact rules.
I am a very strict mother, and as a mother, it's my responsibility to guide my kids and tell them to go how far and no further. There should be rules and guidelines for the kids, and they should know their limits.
Rules? Ixion is supposed to be free of rules, yet it seems as strict as Grave in its own way and more...more dangerous.
It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
The sound is very much always in my head, I have to get the sound out of my head onto the recording.
I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.
When I go into the studio - it [words] has to sound the way I heard it in my head. So that's probably one of the biggest things that separates me when I'm working in the studio - just how I hear certain things.
The rules are very strict.
I have an artist background and I got into the field because I heard things in my own head that weren't happening and I wanted to have the control. So I learned to record and mix and do all those things. I found it as a means to an end, and I was fascinated by sound and creating sound. I very quickly became addicted to understanding everything there was to know.
Oh, my mama was awesome. Very strict, overreligious, loved the Lord, loved rules. But she had to be that way because of where we were growing up, the neighborhood I was from.
One of my strict, strict rules is a no auto-tune policy.
[I hate] the ways that people want their special needs to be met, whether it's their food allergies or their special lotions or shoes. Or the ways that people want their neighborhoods and restaurants curated in a way that's really tailored to them. Growing up with someone who was living by these very strict, repressive rules for themselves - it made me very allergic to the idea of denial.
My parents were always very strict, and they gave me the right beliefs in how to treat people. It was very strict and all about morals - I try to pass that on to my own children.
One of the main reasons why it didn't work out for me and Aftermath is because I felt my music should sound one way, and they felt it should sound another. But, I learned a lot from watching Dre, and when I left California, I knew it was time for me to get my own label.
