A Quote by Anna Boden
No, we are not tyrants on set, and we are kind of come at it very much as collaborators and not just with each other but everybody and particularly the actors.
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[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have a handle on exactly where the character is in the chronology of things. In that sense the actors become your best check on the logic of the piece, and the way in which it all fits together. They become essential collaborators. The main thing is you have to work with very smart actors.
Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
A lot of actors aren't particularly good directors. And they're not particularly good with other actors. That's kind of a fallacy.
Well I guess I like variety pretty much, but I do enjoy this work very much. Particularly with Buddy on the gig, we get a chance to knock each other out It'just wonderful.
And by banning [smartphones] from the set, the whole crew tends to work tighter with each other. And then it just becomes a thing where people kind of fall in love with the idea, 'This is the film-industry that I signed up for! This is really wonderful.' But then they go back to another set and everybody's on their cellphone, everyone's in their own little box, and they get depressed about it.
I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.
With other actors, I have always been respectful. Ayushmann is an ace actor. I love everybody's work. We are an industry of professional actors and filmmakers. Everybody is here to make films. I feel very good about it. I don't have any negative or bad thinking.
We feel on social media that we can speak to each other in a certain way. In politics we treat each other as enemies instead of collaborators. This hate has extended to these horrible and hateful acts.
What I enjoy most with acting is when it's a good scene with one or two other actors, and you feel a strong connection, and you don't know how you're going to respond, and everybody is listening to each other and getting affected by each other, and even though you've rehearsed it many times, it feels like it's happening right now.
What I enjoy most with acting is when it's a good scene with one or two other actors, and you feel a strong connection and you don't know how you're going to respond, and everybody is listening to each other and getting affected by each other, and even though you've rehearsed it many times, it feels like it's happening right now.
I just refuse to date actors. I've done that, and I don't want to do that anymore. It's just the stress of traveling and being away from each other so much.
I was so paranoid that my friends wouldn't like me. I went to a very small school where the consequences of bullying were very real. You couldn't just push some nameless face in the hallway because everybody knew each other's families, so there wasn't the obligatory psychotic jackass that tortured everybody.
3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
Like Woody Allen actually does this a lot in his movies, its kind of called magical realism where he has just kind of an everyday, these kind of everyday experiences and all the sudden something magical or supernatural will come into to and I just, I love that and I think everybody can kind of - everybody wants that at some point in their life.
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