A Quote by Anna Boden
There's always the challenge of trying to do a road trip picture with a big group of cast and crew, because it's just not efficient to go to every single place in the order that they would go.
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One of my fun road trips was [when] a group of guys and I rented a tour bus and we started in Orlando and drove all the way around the country going to baseball games. That was an awesome trip because each night we would go to a new baseball stadium, watch a baseball game, get in the bus, wake up [in] the next city, go to another baseball game. We did this for a little while and it was great. We called that trip the Rats on the Bus and it was a fun trip.
The acting challenge is every day it was just for me a challenge obviously because of the volume that I - of work I had to do throughout the series. Every day was just trying to keep it fresh, trying to keep it maintain a consistency and a growth in the character and in myself. That was the main focus was staying focused when you're fatigued after, you know, it's mainly to work but it's ultimately very rewarding working with this production and the actors and the crew. The crew gave a lot for this thing.
I realized that a surf trip on a jet can be like a road trip. If you see a road you want to turn down, you can just go there.
You can be writing every day. When you go on a road trip, the trip itself becomes part of the story.
I have a picture of a rainy Paris street scene which I bought when I was 33 and on my first trip to Paris. I go past it when I go upstairs every night and it reminds me of that trip and makes me happy
I'll never read every single book or go to every single place. But I'll die in the trying of it.
It's a road movie [Valentine]. I mean, yes. We film it here and it takes place from basically Colorado to Louisiana. That's the road trip. So we're all over the place. We go through bits of Texas and bits of Oklahoma.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
In my experience in series TV, if you have a good crew and a great cast, it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other, and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
The truth will always lead you to a better place and a bigger place. And every single setback, every single one, has led me - not in my time, but in the time that it was meant to happen - to a place that I never in a million years could have imagined that I could go or become.
I guess I just always had this idea that I would go to Hollywood. I had the typical 'get up and go' attitude that you have to have in order to make the brave step into the big city.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
My dad planned a road trip every summer, so we always did the road trip. We did the Eastern Seaboard and learned about the history of the United States.
Every movie changes you. The process of making a film changes you. You have to be obsessed, you have to get up at 3 in the morning and go "Wait, I have an idea!" You have to continually be drawn over and over again to deepening inside that story, and ruminating over questions: "Why would he say this to her? Why if he was standing there, would she go?" Every one of those answers has to come from some personal place, and in order to do that, you can't sit on the surface. It's such a big change that you can't really explain it to anyone else.
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
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