A Quote by Anna D. Shapiro
I think of myself as actually kind of prudish and girly, but I don't know if a lot of other people would see me that way.
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I know I have within myself... a side of solitude. I think people who know me can see, but people who just meet me can't because I'm generally very fun and gregarious. I love to spend a lot of time on my own. I can seriously go into my own head and often love to let myself travel where I don't know where I'm going. I always felt that that was his kind of form of escape, in a way.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
She once said, 'I'm really a little prudish, which people may think incongruous'. I take a prudish point of view on certain films, books, and trends. Then, I pull myself up short and ask myself how Gypsy Rose Lee could possibly be this way.I thought that quote was so telling, a key insight into the way she so carefully separated who she was from her meticulous creation.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
As people, right now, we're so over-stimulated in this world that I don't know what I'd do in Wyoming. I really don't know what I'd do. I would probably have a heart attack because I'd be so lonely, and I'd actually have to listen to myself think. That's a terrifying prospect for myself, and I'm sure many other people as well.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
It's nice to actually look done-up, because people see a different side of me, the more girly side. Obviously, I can't do that with cycling. I can't go with nice girly hair and full make-up.
Maybe in the back of my mind I was kind of wishing that I would become a rock star, kind of wishing that I would reach enough people who would be willing to pay me for the music, that I would actually be able to live off of just writing the songs that I wanted to write. But I don't think I really admitted to myself that that was my goal.
Because it's our first official album, we wanted to show our color, the color of Blackpink. We wanted to present an image that people would think of when they think of Blackpink, and what kind of music we put out... we channeled the girly side of ourselves and performed according to the girly lyrics.
I've always cared about my personal style and the way people perceive me. I know a lot of times people don't get the opportunity to talk to me, so they're just going to see what I wear, see how I'm dressed, see how I present myself.
On my way to the office in the morning, there are, in front of me, behind me, other men going to their jobs. I see them; if I dared, I would smile at them. I think to myself that I am a socialist, that they are the purpose of my life, of my efforts and that they do not know it yet.
My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.
In terms of how prudish Americans were in the '40s and '50s, I have absolutely no idea. I do know about the character that I play. And I don't think it's about being prudish. I think it's about trying to balance a sense of control in this man's life.
I think when I started modeling three years ago, it was just a job, and I was so excited - everything was so new, so crazy. I didn't overthink anything; I just did it and enjoyed myself along the way. But after a few seasons, you get used to it, and there's a lot you actually have to think about, and, I don't know, it just makes you much more aware of what you look like and what other people think. It's a bit of a nightmare.
There's a lot of pretense out there. It can be exhausting. When people see something genuine, even if it's something as simple as two people actually being friends, actually enjoying what they're doing, or actually standing up for each other, that translates in a big way.
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