A Quote by Anna D. Shapiro

The conversation of how you do a play is my favorite conversation in the whole wide world: what a play is, why it's different than anything else, the math of the way that human behavior has to be calibrated theatrically versus anything else.
I think one of the core ideas in America has always been conversation and being able to question our systems of government, and being able to dictate our own communities and how we want this country to work. And I feel like we're losing part of that because of the way that even our current political campaign is centered more around celebrity than anything else, and so we're kind of losing conversation. We're still having conversations, but they seem to be more about like Donald Trump's hair and like memes of his face more than anything else.
Why can't a seven-foot guy play a doctor? Why can't I be a teacher? Why can't I be a football coach? Why can't I be a cab driver? Anything. Anything else than that. I can cry. I can do those things that they think the big guys can't do. So just give us a chance.
There's no reason why I can't be a mogul. When I step into a room and I'm there to have a conversation, if it pertains to business, I want to be respected as a guy who knows what he's talking about. And that, to me, holds more weight than anything else.
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
Anytime a person can play the blues, he has a soul and he has a 'lift' to play anything else he wants to play. It's sort of like the foundation to a building.
This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.
I've figured out how to turn what's different about me and limitations - I'm new to this world, I'm a woman, I don't have a math background - and how I use that to my advantage. They're what make me unique. In poker you learn very quickly, if you play like everyone else, you'll be fine, but you'll never be great.
How can you worry about pleasing people [critics] and what they're going to think? How can you do anything creative if the whole thing is motivated by trying to please somebody else? To me, the whole idea of what I thought art, or music, or anything creative was about pleasing yourself and hoping that whatever you're creating will reach someone else who'll see it on that level. To worry about someone picking it apart and discussing it element for element, and trying to knock you down or weaken it in any way doesn't amount to anything but a waste of paper.
I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
Social media should be more like a cocktail party than anything else. You can have your fun jokes, and you can also express yourself and your beliefs. It's a conversation, not a sledgehammer.
It's no different than anything else in anybody else's life. Doesn't matter how simple or complex. There are days you hate it and days you love it.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
I know I'm appreciated by how fans treat me, and the best way to treat them is play every day, hard. I sign autographs, but if I'm with someone I don't know who doesn't start the conversation, there won't be a conversation. That's just me, living my life. But I'll loosen up after baseball.
I still like to play the blues more than anything else.
There are any number of conditions as to why your life didn't turn out the way you intended it to. My whole philosophy has always been that there is no way to change anything else in the world if you don't have the capacity to change yourself.
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