A Quote by Anna Freud
A first visit to a madhouse is always a shock.
Related Quotes
We do not have to visit a madhouse to find disordered minds; our planet is the mental institution of the universe.
Between incomprehensible and incoherent sits the madhouse. I am not in the madhouse.
It would come as quite a shock to my younger self that my first job was modelling. I was scouted, aged 18, when I went to Paris to visit my older sister, Yvonne, who was at uni there.
But whenever one meets modern thinkers (as one often does) progressing toward a madhouse, one always finds, on inquiry, that they have just had a splendid escape from another madhouse. Thus, hundreds of people become Socialists, not because they have tried Socialism and found it nice, but because they have tried Individualism and found it particularly nasty.
Shock always sells. You know? But you could shock in good taste.
Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.
It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
It was during my first trip to America in 1953 - that's when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
I am in the hands of Deori Maa. Every time I come to Ranchi, I visit her temple. I still remember my first visit.
This will be my first visit [to Israel]. I've heard it's a special place, that Tel Aviv is exciting and that the atmosphere is excellent....I hope I'll have time to visit the holy places.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
As people who are women, who are Indigenous and live on Indigenous lands, we know, and this is something I understand the older I get, that they don't visit the same way the postman may visit but they do visit. They visit in ways that our modern society often disregards and considers immaterial or unreal.
A visit to Marrakesh was a great shock to me. This city taught me color.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
I've always enjoyed playing in Paris, ever since I was a junior and won the junior event there. Being Swiss, this is the Grand Slam that is closest to us - the one we watch first and visit first if we are lucky enough.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
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