A Quote by Anne Sweeney

Too many times, adults walk into situations, and people have already put them in a box: 'Oh, you write comedy.' Or, 'You're the development woman.' And it's not just our profession. It's hard to look at someone and say, 'What else is inside?'
I have a hard time figuring out what kind of box to put me in, too, because I don't know exactly what's going on around me or why. But I need to stay outside of boxes because then I can look at what's inside of them without being part of them.
It's just nice to work hard and be rewarded, which is having lots of people watch. And the icing on the cake is for me is to be able to walk around with pride, feeling that the product you put out is worthy of being watched. But honestly, it's not a big deal. I don't put too much stock in fame or celebrity anyway. I don't put it in the 'important' box.
Adults are always telling young people, 'These are the best years of your life.' Are they? I don't know. Sometimes when adults say this to children I look into their faces. They look like someone on the top seat of the Ferris wheel who has had too much cotton candy and barbecue. They'd like to get off and be sick but everyone keeps telling them what a good time they're having.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.
There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.
For me what photographers say about their photos doesn’t have any importance. For me it is just enough to look at the pictures. Many times - for the boring pictures - people have to say so many things about them to show you there is something to them when many times there is nothing.
Comedy is so subjective. If you trip and fall down, some people will laugh, and some people will say, 'Oh, physical comedy is so pedestrian.' Some people look at Three Stooges as lowbrow; some people consider them artists. No one is wrong. It's just a personal take.
I'm so glad I'm not a dentist. How many times does someone say, 'Oh, Doc, it felt so good when you were drilling my teeth'? Never. But when you give someone a wonderful cookie, you put a little of yourself in, and you see someone's face light up - that's immediate approval.
We don't take credit for our accomplishments. I can't tell you how many times you'll say to a woman, 'Oh God, what you did was so great', and they say, 'Really? I didn't think it was that good.'
Architects are today routinely indoctrinated against the dumb box. Even advertising urges us to "think outside the box." Why? Because it is thought we all hate the box for being too dumb, too boring, and we want to escape it. If we do escape, by buying the advertised product, we usually find ourselves inside another dumb box populated by boring people just like us. It is clearly possible to live an extraordinary life inside a dumb box. Question: is it possible to lead an extraordinary life in anything other than a dumb box?
Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.
There are a whole bunch of roles where people say, 'Oh, you're playing yourself.' I guess it's kind of a compliment. Or people say, 'Oh, man, you just roll out of bed and do that.' The work is to make it look effortless. That's the hard part.
I know a lot of artists say this, but it's hard to put myself in a box. I just write songs that I strongly believe in and that are coming form a special place. There's no tricks.
No one can survive childhood without being wounded. Everyone remembers at least one time when their parents rejected them, pushed them away, even though they may have still been in the womb, blind, and unable to speak. That's why, as adults, we all look for someone to become our parents again, and for someone to look after us in times of need. And we search for a person to live with who can provide the companionship we so desperately want.
I walk every day, and I look at the mountains and the fields and the small city, and I say: 'Oh my God, what a blessing.' Then you realise it's important to put it in a context beyond this woman, this man, this city, this country, this universe.
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