A Quote by Anne Sweeney
Pages were always supposed to be off-camera - we were supposed to be invisible. But I had a moment where I saw a kid who was ready to flip himself out of the balcony, so I ran down and grabbed him and put him back in his seat. I remember the stage manager taking me aside and saying, "Can you please never do that again? I know you were saving his life, but we have you in the shot."
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TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back - "I thought you were dead," he's saying, his breath on my neck. "I thought you were dead." "Todd," I say and I'm crying and the only thing I can say is his name. "Todd.
Entertainment was transportation. You were supposed to take somebody out of their seat and bring them back in. You’re not supposed to impose your values or your supposed knowledge to manipulate or control people. That was not your job. You were not supposed to use the bully pulpit of Hollywood to pound people with ideas. You’re there to entertain.
I've got an extra-specific story about Dr. Dre. I saw him when I was 9 years old in Compton - him and Tupac. They were shooting the second 'California Love' video. My pops had seen him and ran back to the house and got me, put me on his neck, and we stood there watching Dre and Pac in a Bentley.
I never saw a man fight as Conan fought. He put his back to the courtyard wall, and before they overpowered him the dead men were strewn in heaps thigh-deep about him. But at last they dragged him down, a hundred against one.
I'm sorry," I heard him say again. Then, out of the corner of my eye, I saw a sudden blur of movement as he slid out of his seat, left some bills for the breakfast he wouldn't eat, and walked away. And as he did, I thought again of those mornings in the hallway at school, way back in ninth grade. Everything had started in such sharp detail, each aspect pronounced and clear. Obviously, endings were different. Harder to see, full of shapes that could be one thing or another, with all the things that you were once so sure of suddenly not familiar, if they were even recognizable at all.
One of my great memories of John is from when we were having some argument. I was disagreeing and we were calling each other names. We let it settle for a second and then he lowered his glasses and he said: "It's only me." And then he put his glasses back on again. To me, that was John. Those were the moments when I actually saw him without the facade, the armor, which I loved as well, like anyone else. It was a beautiful suit of armor. But it was wonderful when he let the visor down and you'd just see the John Lennon that he was frightened to reveal to the world.
Don't drop him," said Peter's mother to his father. "Don't you dare drop him." She was laughing. "I will not," said his father. "I could not." For he is Peter Augustus Duchene, and he will always return to me. Again and again, Peter's father threw him up in the air. Again and again, Peter felt himself suspended in nothingness for a moment, just a moment, and then he was pulled back, returned to the sweetness of the earth and the warmth of his father's waiting arms. "See?" said his father to his mother. "Do you see how he always comes back to me?
Yeah, I screamed in Daniel Radcliffe's face. We were both doing Letterman. I grabbed him by the shoulder. Of course, I'm in 6-inch heels. That makes me 6-foot-4. I'm towering over him, saying, 'I love Harry Potter!' His security people were nodding to each other - should we go?
I am graven on the palms of His hands. I am never out of His mind. All my knowledge of Him depends on His sustained initiative in knowing me. I know Him, because He first knew me, and continues to know me. He knows me as a friend, One who loves me; and there is no moment when His eye is off me, or His attention distracted for me, and no moment, therefore, when His care falters.
Don't cry." "How can I not?" I asked him. "You just said you loved me." "Well, why else did you think all of this was happening?" He set the book aside to wrap his arms around me. "The Furies wouldn't be trying to kill you if I didn't love you." "I didn't know," I said. Tears were trickling down my cheeks, but I did nothing to try to stop them. His shirt was absorving most of them. "You never said anything about it. Every time I saw you, you just acted so... wild." "How was I supposed to act?" he asked. "You kept doing things like throwing tea in my face.
For a second, he was still, blinking. Then he shook off all the blankets and coats so that his arms were free and he wrapped them around me as tightly as he could. I felt him shuddering, shuddering against me as he buried his face in my hair. I said, uselessly, "Sam, don't go." Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine. "These stay the same. Remember that when you look at me. Remember it's me. Please."" — Grace and Sam (Shiver)
Have you ever noticed that Jesus is never recorded as taking a holiday? He retired for the purposes of his mission, not from it. He was never destroyed by his work; he was always on top of it. He moved among people as the master of every situation. He was busier than anyone; the multitudes were always at him, yet he had time, for everything and everyone. He was never hurried, or harassed, or too busy. He had complete supremacy over time; he never let it dictate to him. He talked of my time; my hour. He knew exactly when the moment had come for doing something and when it had not.
He was breathing, which is always a good sign. As gently as I could I picked him up, placed him on the towel, wrapped it around him, and put him in my car. I drove to the emergency clinic, the cat purring on the seat beside me. “What’s his name?” the young man at the front desk asked as my towel and cat were whisked to a back room. “Uh…John Tomkins,” I said. “That’s different,” the receptionist said, writing it down. “He was a pirate,” I said. “I mean Tomkins. I don’t know about the cat. (...)
Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.
His master’s pain was his pain. And it hurt him more for his master to be sick than for him to be sick himself. When the house started burning down, that type of Negro would fight harder to put the master’s house out than the master himself would. But then you had another Negro out in the field. The house Negro was in the minority. The masses—the field Negroes were the masses. They were in the majority. When the master got sick, they prayed that he’d die. If his house caught on fire, they'd pray for a wind to come along and fan the breeze.
But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
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