A Quote by Anne Taylor Fleming

You watched and you saw what happened and in the accumulation of episodes you saw the pattern: Daddy ruled the roost, called the shots, made the money, made the decisions, so you signed up on his side, and fifteen years later when the women's movement came along with its incendiary manifestos telling you to avoid marriage and motherhood, it was as if somebody put a match to a pile of dry kindling.
I haven't watched a lot of episodes of 'The Good Wife.' I never even saw the show until I signed on, and then I watched seven episodes.
What happened was I saw this ad for a yogurt plant for sale. It was in my junk mail pile, and I threw it into the garbage can. And then about half an hour later, with the dirt on it, I picked it up from the garbage can, and I called out of curiosity.
I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
I also think the women's movement has unintentionally contributed to the dishonoring of motherhood. It happened because we made such a big deal about our right to go out into the world.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
I never saw the premise as 'Godless' is the story of a town full of women. I always saw 'Godless' as being made up of a lot of intersecting, related stories that literally meet in the final episode.
River Phoenix and I were friends for nine years, and I watched him grow and mature, and I also saw him struggle. I watched him deal with the whole up and down aspects of Hollywood and saw him bounce back, so when he passed away, it was such an enormous shock.
In college, this cheerleader put me on to this artist called Kimbra, and that was huge to me because that's the first time I saw somebody looping. She sampled her voice and made a song with that, and that just blew my mind.
Movements are not radical. Movements are the American way. A small group of abolitionists writing and speaking eventually led to the end of slavery. A few stirred-up women brought about women's voting. The Populist movement, the Progressive movement, the anti-Vietnam War movement, the women's movement - the examples go on and on of 'little people' getting together and telling the truth about their lives. They made our government act.
My plan was to put him on a go-kart track when he was six years-old but he was with his mum at a track in Genk and he called me up crying because he saw a younger guy driving on the track. He said to me 'Daddy, I want to do this,' so when I got home from the Canadian GP, I bought him a go-kart and that's how he started.
crawling up into daddy's lap when dad was still DADDY nodding my head against his chest soaking in the comfort of his heart LISTENING to the thump...thump somewhere beneath muscle and breastbone I remember his arms their sublime ENCIRCLING and the shawdow of his voice "I love you, little girl. Put away your bad dreams. Daddy's here" I put them away, Until Daddy became my nightmare that one that came HOME from work everyday and instead of picking me up, chased me far far away
I put the storyboard down and came back to it like two weeks later and saw that I had written 'Butt-Head' next to the picture, and it kind of made me laugh and I thought, Well, might as well go for every laugh you can get.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.
I got into a brawl one night in a saloon in Greenwich Village. Elia Kazan, a great director, saw me put out a couple of hecklers and figures there was some Big Daddy in me, just lyin' dormant. And out it came. People still do call me Big Daddy, but to me, inside, I'm no Big Daddy at all.
And old Dave, he'd go up to his room, y'understand, put on his green velvet slippers - I'll never forget - and pick up his phone and call the buyers, and without leaving his room, at the age of eighty-four, he made his living. And when I saw that, I realized that selling was the greatest career a man could want.
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