A Quote by Anouska Hempel

I'd always been acutely sensitive to my surroundings - and aware that I could make them rather than just observe them. So I began by designing interiors for myself, for friends, for clients - I just felt that I'd discovered my element, and those who really looked at what I was doing liked it - and the rest followed.
I always love design but the more I designed for clients, the less I liked the process of designing for them. I do lettering and illustration for money, which clients don't mess with too much and web design for fun.
We need to make the bullies aware of what they're doing, why it's wrong, and the effects it has on the kids who they are doing it to. You can see the light bulbs going off in these kids' heads when I say this. I try to put them in the situation of those being bullied. It just makes them aware.
Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.
Social innovation thrives on collaboration; on doing things with others, rather than just to them or for them: hence the great interest in new ways of using the web to 'crowdsource' ideas, or the many experiments involving users in designing services.
In those simpler days, you could just take pictures of movie stars and show them the way they were, as normal human beings. And if I felt part of any movement at the time, it was just to do that - to be journalistic and photograph what is, rather than what is made up.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
When I was in graduate school at MIT I was trying to think about how to develop software and systems for farmers and villagers in India. In the process of doing that, I realized that my reference point was internal to the laboratory, rather than in the communities that I was wanting to serve. I realized that I could no longer assume what a good technology looks like from inside the laboratory; instead, I had to be in the world with people. Not just designing for them but with them.
Some movies I make for myself. I just sort of make them for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine I'm an audience.
We are fully aware that, in a world at war, each set of belligerents is over ready to regard those who are not with them as against them; but the course we have followed is a just course.
Money. . . those who don't have enough of it are only aware of what it can buy them. When you finally have enough of it you become aware- acutely aware-of all the things it can't buy ... the really important things, like youth, health, love, peace of mind.
I don't want to brag, but I have an amazing fanbase. My entire career has just been supported by them. I did just sign a record deal, but the whole thing is really just run by them. It's all based on my relationship with my fans. I call them friends and fans, because I hang out with a lot of them.
A lot of my friends in my student days complained about how their parents made them play an instrument when they were kids. I always felt compassion for them and didn't believe a parent could be so cruel, but when I check today, those complaining friends grew up to be quite successful, and many of them are now making their children play.
No agency is more acutely aware of how potentially damning and politically sensitive background investigations can be than the FBI; it conducts those investigations, after all.
It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.
I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.
I learned to be with myself rather than avoiding myself with limiting habits; I started to be aware of my feelings more, rather than numb them.
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