A Quote by Anthony Bourdain
I go anywhere I want, do whatever I want when I get there, they let me make self-indulgent TV about that experience, and give me about as much creative freedom as anyone's ever had in the history of television.
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I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
If you just had an inspiration at night or with a girl or whatever and you want to talk about it, you don't necessarily want to share it with everybody . . . That's the first thing that made me want to go solo; I wanted to talk about my own things, I wanted to try to be creative [in] my own way.
We want to make it so that anyone, anywhere - a child growing up in rural India who never had a computer - can go to a store, get a phone, get online, and get access to all of the same things that you and I appreciate about the Internet.
I don't have a television in my house. I haven't owned one in years. In truth, it's about mental health for me. It's hard for me to have a television in the house because I'll just stay inside and binge-watch stuff that I don't even want to watch. I've learned when I don't have a TV, it forces me to go outside.
Anything anyone wants to say about me is fair. There's not a single thing that any viewer has ever said about anything I do on television that has bothered me in the least. And every single person has the right to hate whoever they want to hate on television, whether it be singers, actors, pundits. That's the deal.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
I'm all about freedom to go ahead and practice whatever kind of religions you want, have whatever sort of sexual preference you want, freedom in terms of being pro choice for women.
Play the way you want to play. I want to give as much power back over to the player as possible. That's where games are leaning: give me the tools, let me do what I want to do with it. Let me solve the problem the way I want to solve it - experience the combat the way I want to experience it.
In the U.K., there's absolutely no money for television. So you can do pretty much whatever you want. They're not losing money on any of the shows, so they'll give you a lot of creative freedom. In the United States, there are millions and millions of dollars at stake, so they need a sure formula.
TV shows are great right now in America. I find myself - and I hate to admit it - but we watch more TV than we go to the movies. As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be. Or there are more actors. I don't know. But movie stars are doing TV. And when they're asked about it, they say they love it. Dustin Hoffman, Glenn Close. So it can't be that bad.
For me, and I've been on record saying it, let's create two leagues: one for players who want the college football experience, and another for those that want to get paid, have the NFL help fund it, whatever. Guys who don't want to go to school to get an education, let them go to work.
I'm not here to put my music out on the Internet with no support and then say I got creative freedom. I've got creative freedom wherever I go: I don't create anything that I don't want to create. That's freedom. Since when does a company force you to make something that you don't want to make? If they do that, you leave.
Look, it's easy to outsmart a werewolf or a vampire," Jace said. "They're no smarter than anyone else. But faeries live for hundreds of years and they're as cunning as snakes. They can't lie, but they love to engage in creative truth-telling. They'll find out whatever it is you want most in the world and give it to you—with a sting in the tail of the gift that will make you regret you ever wanted it in the first place." He sighed. "They're not really about helping people. More about harm disguised as help.
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
That's the thing about being an artist, you don't have to take anyone else's perspective into account. You can act as self-indulgent in your emotions as you want.
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