A Quote by Anthony Minghella
I don't hold with the notion that only bad books make good movies.
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I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.
You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind. In order to read what is good one must make it a condition never to read what is bad; for life is short, and both time and strength limited.
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
There are only two kinds of books -- good books and the others. The good are winnowed from the bad through the democracy of time.
I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.
We do not so much want books for good people, as books which will make bad ones better.
This whole notion of a post racial America was nonsense from the very beginning. It was a bad idea, a bad notion, a bad formulation when it was first raised.
The most basic principle to being a free American is the notion that we as individuals are responsible for our own lives and decisions. We do not have the right to rob our neighbors to make up for our mistakes, neither does our neighbor have any right to tell us how to live, so long as we aren’t infringing on their rights. Freedom to make bad decisions is inherent in the freedom to make good ones. If we are only free to make good decisions, we are not really free.
Children simply don't make the distinction; a book is either good or bad. And some of the books they think are good are very, very bad indeed.
Only bad books have good endings. If a book is any good, it's ending is always bad - because you don't want the book to end.
When you look at other good-bad movies like 'Sharknado' and 'Birdemic,' those movies know that they're B movies, know that they're silly and over the top, as opposed to 'The Room,' where Tommy Wiseau, the guy at the centre of it all, he attempted to make a very earnest drama.
It's a risk, but I'm sort of ready to let go of thinking of movies as books that you can watch. The notion of, 'If I put the narrative blocks in the right order, this will solve all of my storytelling problems.' No, it won't, and you end up with little more than books on film.
There are no good and bad movies, only good and bad directors
In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
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