A Quote by Antoine Fuqua

I don't understand why we give up genres, and the Western is a great genre. It's a part of the rich history of cinema and who we are as we've evolved as people, as a community.
I think readers nowadays are happy to have genres blurred. We're seeing that on screen too: The Pirates of the Caribbean mashes up history and fantasy, Cowboys and Aliens mixes the Western and the Science Fiction genres.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
The Government wants to give young people from every community the chance to learn about the heroism and sacrifice of our great-grandparents, which is why we are organising visits to the battlefields of the Western Front.
It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.
Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.
I am totally fascinated by people and our history as I understand and continue to explore it. People have so much to give and so far to go and yet we have given and gone a great distance. It's really just interesting to ask: why not? And see where that takes me.
The 'Western' is the only genre whose origins are almost identical with those of the cinema itself.
In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' even 'Spaghetti Western.' When we say 'film noir' we know what we are talking about. But in non-narrative cinema, we are a little bit lost. So sometimes, the only way to make us understand what we are talking about is to use the term 'avant-garde.'
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
The Zach Johnson Foundation, for my wife and I, is very much a part of what we do and why we do what we do. It's a great platform for us to give back to the community that started me in the game and other communities.
When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
If you choose as a woman to work in cinema, the roles are smaller, not as diverse, and sometimes not as exciting. So when you try to have a conversation to say, 'This part is lacking in this or that,' or, 'I don't understand who this person is,' or, 'Why is she in this story?' people are very afraid of that.
It is astounding how evolved and progressed India has become. It is holding on to its extraordinary rich culture and becoming global and Western at the same time.
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
The Windrush era is a very important part of British history as it helps us understand how and why we became the multicultural society we are today, and also helps us understand the history of race relations in this country.
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