A Quote by Antoine Fuqua

OCD, we discovered is a lot of different things-it's not just washing your hands, it's whatever you're obsessed with. It can be just the way you hold a pen, and you always have to have it a certain way or you have to eat your food, it depends. It's something that, as a character I thought was really interesting because sometimes it's used in a film where it is OCD and sometimes it's strategic.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
Sometimes a character is really based on research that you do. Other times it's just based on your imagination or perhaps your conversation with the director. Or sometimes all of the above. It depends on the movie and character.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
Sometimes there is no way to hold your life together. Sometimes things just have to fall apart.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
I've really enjoyed playing live shows, because sometimes things we'll just happen - sometimes a song will go on for 10 minutes. It always depends on the crowd. But it's always kinda different, which is cool.
Sometimes you just have things within your team that you have to address, and I think you have to protect your culture a little bit. And sometimes it's sitting a guy down and that's just the way it will always be.
I totally had OCD as a teenager. I used to have to touch all four sides of a picture frame when I got home from school and before I started to do my homework. It was time-consuming. But then I just outgrew it, though it sometimes comes back when I'm under a lot of stress.
I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.
Painting, one arm gets tired, I'll use the other one and be just as effective. So, yeah, I've always used both arms. I just like to be balanced in life, I guess. That's my little thing, my OCD, whatever it is.
Just because something has always been done a certain way does not necessarily mean it’s the best way, or the correct way, or the healthiest way for your horse, or your relationship with your horse, or your life.
We know it's all just daydreaming...But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth.
All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.
All boxers are OCD. You can see a bit of OCD in me before I go into the ring. I can't put on my right boot before my left. It's the same with my gloves. It's got to always be the left foot and the left hand first. I would freak out if I did it differently. I have to do the left first because that's the way I done it when I won the Olympics.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
This site uses cookies to ensure you get the best experience. More info...
Got it!