A Quote by Antoine Fuqua

I'd seen too many shrines in South Central and thought it was worth asking where the first bullet came from that started all this violence. — © Antoine Fuqua
I'd seen too many shrines in South Central and thought it was worth asking where the first bullet came from that started all this violence.
I cannot make myself believe that God wanted me to hate. I'm tired of violence, I've seen too much of it. I've seen such hate on the faces of too many sheriffs in the South. And I'm not going to let my oppressor dictate to me what method I must use. Our oppressors have used violence. Our oppressors have used hatred. Our oppressors have used rifles and guns. I'm not going to stoop down to their level. I want to rise to a higher level. We have a power that can't be found in Molotov cocktails.
When we started, we were from the South and we looked the part. Plus there was sex and violence on our first album. People immediately attached themselves to it, especially outside of America, because they see the South as a mythical place.
I've seen too many comments, too many stories from a fan, or first-time fans that have come to a race in years past and the first thing they say is, 'I seen the Confederate flag flying, it made me feel uncomfortable.'
Well, I think by any expectation South Africa has come a tremendously long way. We've seen a society that many people thought couldn't withstand a peaceful transition to democracy without a great deal of violence, in fact, make that transition and do it in relative peace and security.
It was exactly the same on the South Park movie really too. There's lots of violence in that too, but it always came down to anything sexual... They don't care about anything else.
It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty.
This is hardly a South African problem, of course. We are confronting nothing less than a global system of brutal misogyny. Too many men across the world see too many women as repositories of their rage, frustration, narcissism or simply their will to enact violence.
When the Mac first came out, Newsweek asked me what I [thought] of it. I said: Well, it's the first personal computer worth criticizing. So at the end of the presentation, Steve came up to me and said: Is the iPhone worth criticizing? And I said: Make the screen five inches by eight inches, and you'll rule the world.
When I first started to blow up, everybody thought I was rich. Everybody started asking for stuff. My friends started becoming fans. Even my teachers began to act like fans.
No matter how many times you've seen the movies and the TV shows that have a protagonist leaping in the path of a bullet, physics forbids such sacrifice. Because of a bullet's radical speed, you can't jump in front of it, but you could get in its way. It's not as dramatic, but it does save lives.
If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.
I started asking the big questions that I had asked in college, that my compatriots the Greek philosophers had asked, like 'what is a good life?' Socrates famously said that 'The unexamined life is not worth living.' I started asking these questions from the starting point of 'what is success?'
Many of the master chefs in the South, both the upper South as well as the deep South, were blacks and many of those people came here to Washington, D.C., and opened up establishments. Very, very few of them have survived. But they certainly were very prominent.
South Central is just who I am. Even though I have a nice house, nice family, the rest of my generation is still in South Central L.A. My cousins, my brothers, my sisters, they don't wanna move out.
Violence is a form of cinematic entertainment. Asking me about violence is like going up to Vincente Minnelli and asking him to justify his musical sequences.
Whoever thought to name a candy bar Butterfinger has either never seen Last Tango In Paris or seen it far too many times.
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