A Quote by Antoine Fuqua
Sometimes violence in a very real way is much faster and more impactful because it feels real and you're watching it happen and you're watching your star do these things, so it's not like he's doing superhero moves.
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Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
People sometimes say that the way things happen in the movies is unreal, but actually, it's the way things happen to you in life that's unreal. The movies make emotions look strong and real, whereas when things really do happen to you, it's like you're watching television -- you don't feel anything.
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.
Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
Do not, on a rainy day, ask your child what he feels like doing, because I assure you that what he feels like doing, you won't feel like watching.
The thought processes that go through my head when I'm playing a game compared to the thought processes in real life are very, very different. And they're more interesting to me than what you think about when you're doing the dishes, cleaning the yard, watching TV, driving or watching a movie.
I love watching people be totally committed in a very real way to stupid situations. I find it's not so much trying to be funny, it's trying to be real in a messed up context. That's comedy to me.
Watching the way the current moves a blade of grass - sometimes I've seen that happen and it has just turned me inside out.
I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
One of the great things about cartoons is that they're not real - you're not watching real people and it engages your imagination. One of the cornerstones of America is that we are creative thinkers. We're innovators.
'Star Wars' is very black and white, and honestly, I like it that way. But fantastical settings like that work best when the characters within them feel real. Real people have conflicts and make mistakes and get it wrong sometimes.
If I'm watching 'The Real Housewives of Atlanta,' there's a part of that that's just escapism. I'm not watching it with a political lens, but there is a part of me that certain things trigger and pull up, where I'm like, 'Oh, that was really problematic.'
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