A Quote by Anton Corbijn
There's only one music video that had an emotional impact on me, and that's "Hurt" by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
Related Quotes
There's only one music video that had an emotional impact on me, and that's 'Hurt' by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.
The 'Work Hard, Play Hard' video shows how much a part of music the fans can really be. With the help of SanDisk, we were able to create the first-ever music video to be made using fan videos shot only from their mobile phones.
I posted a video a day for almost two months and was hardly sleeping, but I think it really pushed me to give music everything I had in me. I knew it was a chance I couldn't miss. The funny thing is I never saw my music video when it aired during the Super Bowl because as soon as I heard my song start I was in tears for the next 10 minutes! The most amazing thing that came out of all of this, however, was the support that had developed online. Without the people that came back day after day to vote for me, I'd be nowhere, and I really owe it all to them.
"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).
We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.
I think a truly fantastic video is worth it. We spend so much time on the music, it only makes sense to have a really well-done visual translation of that music.
It's typical for video customers to often use licensed music - whether a soundtrack, background music, or sound effects - to complement their video projects.
I have a music video I was in coming out for M83 for their song 'Claudia Lewis.' It's directed by Bryce Dallas Howard, and I play opposite Lily Collins. It's a pretty edgy intergalactic music video.
For me, every music video is a hurdle. Every time I do a music video, I'm constantly fighting to get my point across. As a gay woman, that's also a big hurdle.
We have tons of live performances that we're putting on there. We have music videos. There's a music video for the song called I Am Jesus what is one of the funniest music videos, like we just could not find a place for it in the movie, but it's like crazy funny. And we have the whole video.
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
I lost my innocence with Johnny Cash. I used to watch the Johnny Cash Show on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock'n'roll. I watched him and from that point I saw that music could be an evil thing, a beautiful, evil thing.
Directing music videos, especially ones that are concept/narrative driven is challenging in itself, but Directing a music video within a digital video environment is even more difficult.
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