A Quote by Anton Corbijn
My biggest fear always is that I’ll photograph an idea rather than a person, so I try to be quite sensitive to how people are.
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Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try. For one thing we know beyond all doubt: nothing has ever been achieved by the person who says: it can't be done.
I always say people would rather be nice than right. I like to be nice too, but come on. People frequently ask me, what is my definition of politically correct. My answer is always the same: the elevation of sensitivity over truth. People would rather be nice than right, rather be sensitive than true. Well, being nice and sensitive are important, but they're not more important than being right; they're not more important than the truth.
More people have a fear of speaking than a fear of death. So at a funeral, most people would want to be the person in the coffin rather than the person delivering the eulogy!
A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.
I would photograph an idea rather than an object, a dream rather than an idea.
What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.
It's a good idea to pay attention to the world and try to understand how it works rather than how you would like it to work.
I've always been a very sensitive person, and people tell me that if I'm in a certain mood, and I go into a room, my mood will permeate the room. It's not on purpose - I'd rather be invisible in those moments - but I'm really bad at faking how I feel.
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
A human group transforms itself into a crowd when it suddenly responds to a suggestion rather than to reasoning, to an image rather than to an idea, to an affirmation rather than to proof, to the repetition of a phrase rather than to arguments, to prestige rather than to competence.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
Fantasy has had some problems with being too repetitive, in my opinion. I try to read what other people are doing - and say, 'How can I add to this rather than just recycle it? How can I stand on Tolkien's shoulders rather than stand tied to his kneecaps?
Fantasy has had some problems with being too repetitive, in my opinion. I try to read what other people are doing - and say, 'How can I add to this rather than just recycle it? How can I stand on Tolkien's shoulders rather than stand tied to his kneecaps?'
There is a lot of new research about how stress hormones affect your body and how you can work on giving your body as much of the good hormones as possible, because that heals your body. I am quite a rational person - so when someone could show me that there was a rational way of seeing fear in terms of stress hormones, it was easier for me to understand. I think all autoimmune diseases are very sensitive to stress. It is typical that the flares come after a period of emotional stress. The connection is quite clear.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
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