A Quote by Antony Beevor

I just love the days when you come out of the archives with half a dozen excellent descriptions or poignant accounts of personal experiences. — © Antony Beevor
I just love the days when you come out of the archives with half a dozen excellent descriptions or poignant accounts of personal experiences.
I feel as though I am trying to describe a three-dimensional experience while living in a two-dimension world. The appropriate words, descriptions, and concepts don't even exist in our current language. I have subsequently read the accounts of other people's near-death experiences and their portrayals of heaven and I am able to see the same limitations in their descriptions and vocabulary that I see in my own.
That to me is a bunch of crap trying to shoot guys up into damned space. What they're going to do is they're going to wipe out half a dozen people one of these days, and that will be the end of it.
You hear this story that we're all on the left, but when there's a demonstration, you count how many actors actually come out. If there's a half dozen, that would be a big day.
Thanks to you, Gabs, we just figured out a half dozen ways not to rob the Henley.
I do have a personal life. I spend half of the week at home. One of those nights, I'll go out with some friends and have a good time. I have a day and a half at home, and love to just sit on my backyard by my pool, read a book, or do some writing. That's my vacation.
Writing screenplays is not my business. I've written half a dozen, and maybe half of those were made. But it was never a satisfying experience. It was just work. You're an employee. You would be told what to do. Studio execs would cross out my dialogue and put in their dialogue.
Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb nail.
To have a great university library near you with plenty of archives of all the journals that you want to research in the twentieth century is a remarkable asset, and I spend a day, maybe two days a week in that library. I just plain love it.
Wild Bill was anything but a quarrelsome man yet I have personal knowledge of at least half a dozen men whom he had at various times killed.
Most days, I'm out there, I'm enjoying what I'm doing. I love my job, I love my life, some days I get up, I'm sore, I'm on the edge of getting sick, I'm like, just beat up, and I don't want to go out. I just kind of make myself go out there and do it.
Usually, historical revelations come from days of legwork, ploughing through piles of letters and papers in archives or even private homes, looking for the telling phrase or letter that someone else has missed.
The memoir was a very personal book. I wrote it as a personal journey and search about who my father was and how my family had come together and come apart - sorting all that out, you know, issues of personal identity.
I love being part of campaigns and events that are working with kids and just sharing my personal experiences.
When I was 15, I was about seven stone - the average weight for a kid of 11 in them days was about nine stone. I managed to keep my head down because there was about half a dozen heavies in the class and there was bullying in them days. But I stayed one step ahead of them all the time.
One should be willing to throw away a dozen ideas to come up with a good one, just as one should throw away a dozen words to come up with the right one.
In the arts, people are always waiting for someone or some movement to "fulfill her/its/his promise." Then, half-a-dozen or a dozen years on, others begin to realize that, really, something extraordinary was actually happening.
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