A Quote by Antony Beevor

When my first novel was published, I went in great excitement round bookshops in central London to see if they had stocked it. — © Antony Beevor
When my first novel was published, I went in great excitement round bookshops in central London to see if they had stocked it.
It had been fourteen years and I hadn't had anything published. I had 250 rejection slips. I got my first novel published and it was called Kinflicks. It turned out to be a best seller.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
Last week I was just someone who had had a first novel published.
I had been a student in Vienna, and one of the neat little things I had found out was about that zoo. It was a good debut novel for me to have published. I was 26 or 27 when it was published. I already had a kid and would soon have a second.
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
I started blogging in 2006 when I had sold my first novel but it had not yet been published, in those anxious months in between while I learned the whole process.
In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.
I've had a lot of books rejected in my time. My first novel, which didn't get published, was, with hindsight, crashingly dull.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
I had a few stories and longer pieces published, but my first proper novel came in 2003, called 'Dead I Well May Be.'
I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.
In 1996, when my first novel, 'Masquerade,' was published, I knew international thrillers - or spy novels, if you prefer - had been the domain of male authors for decades.
I've had over a dozen and a half novels published since late 1994 when my first novel, 'Brother to Dragons, Companion to Owls' came out.
Publishing a novel was such a proud thing for me. When I was a kid, I used to say to my mum and dad, 'I'm going to write a book. You'll see.' So when I did ,and it was published, and people liked it, it was great.
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